Word: franks
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Dates: during 1970-1979
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Field's performance however derives much of its power from the screenplay written by Irving Ravetch and Harriet Frank, Jr.--it's hokey as hell but it plays. Motivated by a magazine article by Henry F. Leifermann, the screenplay delineates the growing bond between Norma Rae, a hard-assed little cracker and Reuben (Ron Leibman) a New York Jewish labor organizer who comes down to unionize her factory. Refreshingly, their bond stems not from wild, trans-ethnic couplings but from a shared philosophy towards life. Ravetch and Frank use humor, wit and most of all, respect in their screenplay...
Growing Up in Pre-War Warsaw: Personal Reminiscences--Richard Pipes Jr, Frank B. Professor of History...
...general lack of direction. Ellen Gambulos's Adele, the chambermaid who wants to be a star, showed a delicate voice and solid acting, except on occasions when she allows her pride in her steely top notes show. Brumit brings a rich, deep voice and commanding presence to Frank, the jailer; and Corey Stone '79 plays Falke, the "Dr. Fledermaus" bent on revenge, with flair, though his voice is comparatively bland...
...public is both unjustifiable and wrong. That Mr. Yates now has a criminal record because he climbed a mountain is ludicrous. Mr. Yates succeeded where few others could have. His act should serve as a symbol of the wrongness of a system which arrests people for climbing a mountain. Frank L. Lowenstein...
...paper for more than a decade. I think I know good writing when I see it and good editors when I see them. Diana Thomson is a fine editor. She is also a fine teacher. Before she is forced to leave. I thought Harvard should know those two things. --Frank Van Riper Nieman Fellow