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...S.A.O. turnabout stems partly from the fact that the terrorists now hate De Gaulle even more than they hate the Moslems. But it is also a tacit admission that Algérie Française is dead, and that the S.A.O. terror campaign, which slew an average of 1,000 Moslems a month, failed of its major purpose-to incite a racial bloodbath in Algeria that would force the French army to defy De Gaulle and come in on the side of the Europeans...

Author: /time Magazine | Title: Algeria: A Way Out? | 6/8/1962 | See Source »

European sympathizers from Algeria. But there was also left-wing Senator François Mitterand, the widow of famed Marshal de Lattre de Tassigny, and two officers still on active service who saluted Salan...

Author: /time Magazine | Title: France: Silence in the Dock | 5/25/1962 | See Source »

...postwar Europe's many economic miracles, one of the most notable has been wrought by a Paris-based firm improbably known as La Compagnie Françhise Thomson-Houston.* Within barely a decade, Thomson- Houston has not only risen from relative obscurity to the top rank of French industry, but also has succeeded in persuading Frenchmen that its name is as Gallic as De Gaulle. "Thomson sonne bien" (Thomson sounds good) is the company's slogan...

Author: /time Magazine | Title: Business: Thomson Sounds Good | 5/11/1962 | See Source »

...wonderful play by France's finest poet, Jacques Prevert. It has a subtlety underneath its blatant satire, and John Beck, who directed it for horselaughs, wasn't fully successful. But his staging was fast and broad, and he deployed eight expressive actors, including Sam Abbott, Miss Prutting, Paul Schmidt, Fran Blakeslee and the ubiquitous Mills...

Author: By Fred Gardner, | Title: All Gall | 5/10/1962 | See Source »

Jules (Oskar Werner) and Jim (Henri Serre) are the whilom heroes of a gay, grotesque little novel by the late Henri Pierre Roché, now made into a gay, grotesque little movie by France's François Truffaut (The 400 Blows). Charming, sick, hilarious, depressing, wise: the film is an exercise in contradiction, a clutter of inconsequence transformed by imagination as a trash heap is transformed by moonlight...

Author: /time Magazine | Title: Cinema: In Love with a Smile | 5/4/1962 | See Source »

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