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...that was one of the hits of the exhibition. Entitled The Month of September, it was a subtle yet straightforward portrait-done in the rich, muted colors of honey and white grapes-of a girl sitting in a walled garden with its last fruits in her lap. Ex-Cubist François Desnoyer was represented by a solidly constructed harbor picture in colors as bright and brassy as boat whistles...

Author: /time Magazine | Title: Art: New Blood | 10/17/1949 | See Source »

...split between the Allies was caused by French and British fear of German competition in export markets if the mark were devalued. François-Poncet argued with a straight face that he did not want the German people to lose faith in their money. Robertson, perhaps even more afraid of Germany's competitive potential, sat snug as François-Poncet carried the ball...

Author: /time Magazine | Title: GERMANY: Struggle on a Mountain | 10/10/1949 | See Source »

...McCloy beat the British down to 24?. Then the French proposed two conditions: 1) ending German subsidies that made for export dumping below cost, 2) freezing the price of exported German coal at the pre-devaluation rate. If Germany insisted on raising the export price of coal, then, François-Poncet insisted, the price of inland coal in Germany must also be raised; this would make Germany's steel and other fabricated articles more expensive in the export market...

Author: /time Magazine | Title: GERMANY: Struggle on a Mountain | 10/10/1949 | See Source »

...under the French scheme Germany's loss of dollars would be large. As the all-day, all-night session went on, tempers fired up and threats emerged. McCloy threatened to use the U.S.'s veto on economic matters, which he is given by the High Commission Charter. François-Poncet threatened in turn to take the dispute back to his government...

Author: /time Magazine | Title: GERMANY: Struggle on a Mountain | 10/10/1949 | See Source »

...Hall a few blocks from the Lombardos (see above), an older and more fabled musician was celebrating too. For 74-year-old Léon Rothier, whose bass had boomed through three decades at the Metropolitan Opera, it was just 50 years since his debut at Paris' Comedie Française...

Author: /time Magazine | Title: Music: Still Very Good | 10/10/1949 | See Source »

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