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Jan Steen, too, had trouble making ends meet. But Steen was content to eke out his living as a brewer and innkeeper. Frans Hals, as great a virtuoso of the brush as ever lived, put clear understanding into his Jolly Toper (opposite). The Toper (which remarkably resembles Actor Van Heflin...

Author: /time Magazine | Title: Art, Nov. 8, 1954 | 11/8/1954 | See Source »

With regard to your cut of Bishop Berggrav in your issue of Sept. 13, may I point out that Holbein's portraits are not ruffed. Ruffs came in later, and are characteristic of the portraits by Frans Hals [see cut].

Author: /time Magazine | Title: Letters: The Middle Road | 10/4/1954 | See Source »

THE LONG SHIPS, by Frans G. Bengtsson (503 pp.; Knopf; $4.50) offers lusty Vikings lusting and looting, bedding and battling across Europe from the Ebro to the Dneiper. The slaughter seems remote and good-humored as Christianity comes to the heathens of the north.

Author: /time Magazine | Title: Books: Through the Centuries | 9/27/1954 | See Source »

Shocked Justice. Last week the Gouws brothers faced Judge Frans Rumpff in a crowded courtroom in Pretoria. Both men were charged with murder. The evidence against the Gouws was overwhelming: Joseph had died of "bruises and wounds . . . too numerous to count." But when the defendants pleaded "culpable homicide" (which made...

Author: /time Magazine | Title: SOUTH AFRICA: The Flogging of a Kaffir | 6/7/1954 | See Source »

* Rembrandt left his group portrait of Captain Frans Banning Cocq's "shooting company" untitled. Later generations have referred to it by various titles; the Night Watch became common usage in the 19th Century.

Author: /time Magazine | Title: Art: Under the Varnish | 9/17/1951 | See Source »

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