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Word: frau (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...seemed to beguile him most was Carola Hoffmann, an elderly widow. He frequently visited his admirer's home in a suburb of Munich, where she did his laundry and indulged his sweet tooth; acquaintances were once astonished to see Adolf put seven spoonfuls of sugar in his tea. When Frau Hoffmann offered to buy him a gift, he suggested a rhinoceros-hide dog whip like the one Alois had used long ago. There was every reason to agree with the appraisal of Hitler offered by the wife of an early follower: "I tell you, he is a neuter...

Author: /time Magazine | Title: Architect Of Evil | 8/28/1989 | See Source »

...during the Triumphal March. Employing the two-tiered hydraulic stage lift a la Franco, Quaranta triggered the evening's longest ovation by gratuitously transforming Amneris' private chambers into a huge public square. Such technical sleight of hand was novel when first used back in 1966 in Strauss's Die Frau ohne Schatten, but by now it has become a cliche. But then, cliches are also the penchant of director Sonja Frisell, who allows Cossotto to vamp around the stage like a refugee from a Cecil B. DeMille epic...

Author: /time Magazine | Title: Music: Trouble Along the Nile | 12/19/1988 | See Source »

...season opens and new General Director Lotfi Mansouri takes command, the road back begins. During his tenure, Adler had transformed ! the San Francisco Opera from a regional ensemble devoted largely to Italian opera into an international powerhouse that won renown by presenting major works, like Strauss's Die Frau ohne Schatten, for the first time in the U.S., and by offering major American opera debuts to Leontyne Price, Elisabeth Schwarzkopf and Sir Georg Solti. While never equaling New York City's Metropolitan Opera in either budget (currently $23.7 million vs. $88 million) or length of season (13 weeks compared with...

Author: /time Magazine | Title: Music: Nowhere To Go but Up | 9/26/1988 | See Source »

...among the wreckage for Erwein's shooting trophies; he had many ivory tusks mounted in silver, as well as two stuffed orangoutans." The power of Vassiltchikov's observations lies in her restraint: "These last days innumerable inscriptions in chalk have appeared on the blackened walls of wrecked houses: 'Dearest Frau B., where are you? I have been looking for you everywhere. Come and stay with me' . . . or 'My little angel. Where are you? I worry greatly...

Author: /time Magazine | Title: Books: The Catcher in the Reich BERLIN DIARIES, 1940-1945 | 4/13/1987 | See Source »

...atop a throne in the far reaches of the cavernous stage perches the black-clad, thousand-year-old Emperor (Swiss Tenor Hugues Cuenod, making his company debut at 84). For the first time the Met stage, which has swallowed whole such formidable productions as Nathaniel Merrill's 1966 Die Frau ohne Schatten, looks cramped. As is its custom, the Met declines to reveal the spectacle's cost, but best guesses run to about $1.5 million...

Author: /time Magazine | Title: Franco Zeffirelli in Chinatown and a new Turandot at the Met | 3/23/1987 | See Source »

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