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...show's most serious shortcoming is its scant supply of sentiment. Because the narrative hurtles immediately into action, it takes quite a while to involve the audience with the characters. Then, just when it has developed the Phantom as a pathetic blend of noble genius and physical freak, it turns him into an almost random murderer. In an ideal entertainment, there must be someone to root for. But as Alice noted of a wonderland no more demented or enchanted than the Phantom's opera house, they are all very unpleasant people here...

Author: /time Magazine | Title: Theater: A Monster-Meets-Girl Romance the Phantom of the Opera | 10/27/1986 | See Source »

Soon enough, though, she straightens up to introduce herself to the camera. It's not that she cares what people think of her, she says with a candid smile, but "enough is enough." Tired of being called a "freak" (in the Rick Jamesian sense), she'd like to set the record straight. Thus, the parade of Nola-experts--including father, ex-roommate, sexologist, and lovers--rolls out. She knows that their comments--for instance, "I was the best thing to happen to Nola Darling...I was the sculptor, and she was but a piece of clay"--will be her best...

Author: By Abigail M. Mcganney, | Title: You've Gotta See It | 9/26/1986 | See Source »

These trips of inward discovery take on apatina of glamor at Harvard, not in the leastbecause students here are much more taken in bythe "Harvard myth" than they would like tobelieve. To freak out in Cambridge is not just tofreak out, it is to freak outsignificantly. Perhaps it's just because Ilike writing that the Harvard-consciousness is sostrong, but I don't think so. I always have thesneaking feeling that I am living out someoneelse's Harvard novel or memoir, or that friendsthink they are somehow acting out the script tothe play of the human condition...

Author: By Michael W. Hirschorn, | Title: Remembering Their Harvard Experience | 6/4/1986 | See Source »

...costumes are not Elizabethan, but rather more like Adams House, circa 1986. It is perhaps for this reason that such things as the playing of "Freak Out" over a ghetto blaster at the Capulet's party doesn't seem incongruous...

Author: By Michael R. Mcadoo, | Title: A New Old Love | 5/2/1986 | See Source »

...have to have some familiarity with drugs, or else you'd probably freak out," explains one Harvard participant...

Author: By Cynthia V. Hooper, | Title: Donating Your Body for Scientific Research | 3/6/1986 | See Source »

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