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...Democratic fat cats, "this Lindsay" was a freak, a Park Avenue big talker, a silk-stocking boy. Their candidate, City Controller Abraham David Beame, 59, a mild, mite-size (5 ft. 2 in.) party hack, was admittedly no giantkiller, but he comfortably fitted the mediocre mold to which they were accustomed. Few believed that cynical New Yorkers would be moved by the eager idealism and outraged accusations of this Lindsay-the towering (6 ft. 3 in.), wavy-haired Republican whose improbable good looks and earnest eloquence plainly marked him a do-gooder and an amateur by Tammany's hard...

Author: /time Magazine | Title: New York: Incitement to Excellence | 11/12/1965 | See Source »

...baroque theatrical effects seemed to be a secondary characteristic of genius, the manner but not the meat of it. In Juliet, his first full-length movie in color, effect is everything. Fellini puts on a psychic three-ring circus that promises profundity and delivers only a stunningly decadent freak show...

Author: /time Magazine | Title: Cinema: A Wife Betrayed | 11/12/1965 | See Source »

Everyone in the industry has his own pet theory for the show's success. Some believe that Smart is like one of his enemies, a freak, a mutation that has no ancestors and will have no descendants. Others feel that he is the first eccentric ripple in a new wave of insane, absurd television comedy. If they are right, by next season the screen will be Smarting with maimed heavies and mentally defective detectives. And so it will go, until one day someone looking for Big Money in television comes up with a new idea: "People are tired...

Author: /time Magazine | Title: Television: Smart Money | 10/15/1965 | See Source »

First Lesson. "I am a freak," Motherwell confesses. "I didn't start painting seriously until I was 25." The son of a banker, Motherwell was born in Washington, went to Stanford, Harvard Graduate School, the University of Grenoble, and Oxford in pursuit of a respectable Ph.D. before showing up to study with Art Historian Meyer Schapiro at Columbia. In the face of hardheaded parental disapproval, he had been sketching since childhood. When he showed Schapiro his work, the Columbia scholar sent him along for criticism to the lively circle of French surrealists who had been driven by Hitler...

Author: /time Magazine | Title: Painting: Lochinvar's Return | 10/8/1965 | See Source »

...noisy carnival with academic and social pretensions. All the members of Boston's growing aristocracy, every significant member of the various New England governments, royalists, patriots. Anglicans, and Calvinists, all attended the great Commencements of the eighteenth century and were followed there by spectacle-seeking hordes. Vending booths and freak shows were set up along the street in the College vicinity; there were elephants, mermaids, mummies, and mutants, all ostensibly celebrating Harvard's annual Commencement...

Author: By Russell B. Roberts, | Title: Commencement: A Melange of Tradition | 6/17/1965 | See Source »

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