Word: freaking
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Gallardo is not home today; the arson was committed to prevent his return after an enforced 33-month absence. Still, the cars cruise by and people shout out. "Freak!" yells one girl. "Finish the job," adds a man -- meaning, burn Gallardo. Voreen Siders and some friends stand 50 yards from the house's embers. They are emphatic: they would never set the blaze. But none pretends to be sad. Nearby hangs a notice featuring a long-haired, mustachioed Gallardo, 35, with a description: . . .VIEWED AS AN EXTREMELY DANGEROUS UNTREATED SEX OFFENDER WITH A VERY HIGH PROBABILITY FOR RE-OFFENSE...
...dancing lady and the diving horse, step night up, ladies and gents, it's live, it's true, it's too disgusting to believe. The viewer can release his or her passions, desires in the comfort and safety of a half-hour, non-interactive, for your-pleasure-only freak show...
Many things could delay the renovation--freak accidents, unforeseen glitches, labor strikes, shoddy workmanship. Harvard Real Estate and College officials know, though, that if a major delay does occur, they will most likely end up having to explain it to the national media, as well as to parents and alumni...
...Minister Claude Evin declared that once government approval had been granted, "RU 486 became the moral property of women," and he ordered Roussel to resume distribution. In 1989 RU 486 was made available to all licensed abortion clinics and hospitals in France. The results proved encouraging, save for a freak incident in 1991 when a woman who was an avid smoker suffered a heart attack while trying to use RU 486 to abort her 13th pregnancy. After that mishap, the government banned use of the pill by heavy smokers and women age 35 and older, who have a greater than...
...shore with her chatty young daughter (Anna Paquin) and her precious piano; the crated instrument perches on the bleak beach like an exotic bird, or like a coffin holding the happy life Ada left behind. Her mail-order husband (Sam Neill) trades the piano for land with the "town freak," George Baines (Harvey Keitel), and in another plaintive transaction Baines agrees to sell the piano back to Ada, one key at a time, for increasingly audacious amorous favors. This uncorseted Brontean plot runs the gauntlet through variations -- some familiar, a few astonishing -- on the theme of possessive passion, and Campion...