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...skill with which one of Hollywood's most extravagant producers interprets Tolstoyan Socialism. Instead of being, like the two previous versions, the old tale of young love reunited, We Live Again is comparatively faithful to its Russian original. In the earlier sequences where young Prince Dmitri Nekhlyudov (Fredric March) goes to church with Peasant Katusha Maslova (Anna Sten), before seducing her in a greenhouse. Director Rouben Mamoulian allows his fondness for his scene to delay his story. Later, when Dmitri, a bearded patrician in the jury box, again meets Katusha, a prostitute accused of murder, the class antagonism which...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 12, 1934 | 11/12/1934 | See Source »

...16th Century. It exhibits Cellini only once in his studio and even then he works without enthusiasm. It is a portrait of him in his spare time, not as the artist but as the medieval playboy, dashing, sly and consecrated to misconduct. Magnificently acted by Frank Morgan, Fredric March and Constance Bennett, directed with delicacy by Gregory La Cava, The Affairs of Cellini is an uproarious and gracefully ribald costume play, rarely informative but almost always funny...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 20, 1934 | 8/20/1934 | See Source »

...China. Cinemaddicts, who have lately been warned by the Roman Catholic Church's Legion of Decency to cast a suspicious eye on all pictures starring Norma Shearer (Mrs. Irving Thalberg), will next see that actress performing as a well-behaved Victorian poetess in The Barretts of Wimpole Street, with Fredric March and Charles Laughton. Clark Gable, Wallace Beery and Robert Montgomery will do what they can with Mutiny on the Bounty, a salty slice of sea history...

Author: /time Magazine | Title: Cinema: Plots & Plans | 6/25/1934 | See Source »

Death Takes a Holiday (Paramount). The hero (Fredric March) of this fantasy makes his first appearance as a garden variety of hobgoblin. A translucent shadow with bad manners and a bass voice, he calls on Duke Lambert de Catolica. announces that he is "the point of contact between life and immortality'' and suggests that he join the Duke's house party for a few days, in disguise. When he reappears, Death is wearing the monocle and white breeches of a minor Mediterranean prince. He amuses himself more than the Duke's other guests with macabre little...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 5, 1934 | 3/5/1934 | See Source »

...from William Faulkner and subjected to reverse English. In The Story of Temple Drake, Miriam Hopkins was a well-bred girl whose association with low characters led to unpleasant doings in a cornbin. In All of Me she is a patrician girl, selfishly in love with a young engineer (Fredric March). Her association with a petty crook (George Raft) and his mistress causes her to be a bigger and better person. Raft steals a handbag, goes to jail, kills a guard escaping from Manhattan's Welfare Island, swims across the East River, rescues his mistress from a reformatory...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 12, 1934 | 2/12/1934 | See Source »

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