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...early dance inspiration was surprising: Ruth St. Denis, who charmed audiences with free-form creations perfumed with the exoticism of the Orient. Entranced, Graham joined the Denishawn company, but left in 1923 to try Broadway dancing. By 1926 she had formed a group, which performed in New York. The masterpieces began to flow, as they would over several decades. There was a cluster of distinctively American works, such as Letter to the World, about Emily Dickinson, and the ever vernal Appalachian Spring. Though a quintessential modernist, she was attracted to doomed classical heroines: Clytemnestra, Medea, Alcestis, Phaedra...

Author: /time Magazine | Title: The Deity of Modern Dance: Martha Graham: 1894-1991 | 4/15/1991 | See Source »

...mayor's expedition into the world of the downtrodden was indeed an attention-getting departure for someone who also happens to be a millionaire. But the excursion was less startling in this city, which tends to write its own rules for its free-form public life. One rule is that a woman politician, perhaps better than a man, can attempt the new and different. For San Diego is where the new is the norm and woman power is a dominant force in the political game. Here the "smoke-filled rooms," such as they are, tend to be flamingo- colored restaurants...

Author: /time Magazine | Title: Lady Power in the Sunbelt | 3/19/1990 | See Source »

...black-band Tiffany watch. But behind the reserved, nearly studied exterior, her agile mind freewheels playfully. She conducts the meeting by digression, challenging and revising every assumption presented and switching subjects to alight on a new idea before circling around to finish the last. The method is collaborative: a free-form Scrabble game that reflects her scanning, multitrack way of thinking. Gradually, eventually, problems are solved: story ideas jell, stereotypes are smashed, cliches dissolved and media-worn phrases reconstituted into acceptable headlines...

Author: /time Magazine | Title: FRANCES LEAR: A Maturing Woman Unleashed | 5/15/1989 | See Source »

...play's second act, Heidi (played by Joan Allen) stands behind a lectern on a bare stage, giving a luncheon speech to the alumnae of the prep school she once attended. Slowly the successful veneer of Heidi's life is stripped away as she tries to ad-lib a free-form answer to the assigned topic, "Women, Where Are We Going?" Heidi's soliloquy ends with these words: "I don't blame any of us. We're all concerned, intelligent, good women." Pause. "It's just that I feel stranded. And I thought that the whole point was that...

Author: /time Magazine | Title: WENDY WASSERSTEIN: Chronicler Of Frayed Feminism | 3/27/1989 | See Source »

ETHICS IN AMERICA (PBS, starting Jan. 31, 10 p.m. on most stations). What is an individual's responsibility to the homeless? How far can lawyers go in defending a client? These and other knotty questions will be probed in a ten- week series of free-form debates, introduced by Fred Friendly...

Author: /time Magazine | Title: Critics' Choice: Jan. 30, 1989 | 1/30/1989 | See Source »

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