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...Greek,” opening June 4, Jonah Hill (“Superbad”) plays the awkward, music-loving Aaron Green, an employee of a major recording company. When his boss sends him to meet rebellious, free-wheeling rockstar-turned-junkie Aldous Snow (Russel Brand) Aaron is nowhere near prepared for the wild hijinks that ensue. He has 72 hours to get Snow from his penthouse in London to the Greek Theater in L.A., but Snow is not going quietly...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

Snow has appeared on the silver screen before, in “Forgetting Sarah Marshall,” where Brand played the hippie pop-singer who steals away the protagonist’s dream girl. However, despite marked similarities, the happy, free-wheeling Aldous Snow from “Sarah Marshall” is nowhere near as wild or self-destructive as the character in “Greek...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...this wasn’t my job I would be doing this anyways for free,” he said.  “My advice to anyone is sit down and write, get some friends, borrow a camera, borrow whatever and don’t make it fancy, just trial and error. Just make little films. That’s what I’d be doing in my apartment if I wasn’t doing this. Just find what you love and work your...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

That Goldstein is much more at home in the academic realm than in the religious gradually becomes clear. For all her novel’s ambition to portray and explain the modern religious experience, it is unable to shake sufficiently free of its author’s initial presumptions. Like many new atheist tracts, “36 Arguments for the Existence of God” paints the religion-and-reason question in Manichean terms. This sort of framing can highlight sharp distinctions in philosophies, but doesn’t begin to approach the varieties of religious experience?...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

...Who’s ever been free in this world / Who has never had to bleed in this world?” questions a brooding Rufus Wainwright in his newest effort, “All Days Are Nights: Songs for Lulu.” These painfully ponderous reflections represent the culmination of a major shift for Wainwright. The troubadour has been slowly moving away from the disaffected, dissolute charm of his early efforts, most notably on 2001 breakout album “Poses,” and towards an artistic seriousness that has motivated him to write an opera...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

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