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Word: freeman (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...from the office of Minnesota's liberal Democratic Governor Orville Freeman last week went a flurry of telegrams urging the state's Democratic members of Congress to support the defense budget of Republican Dwight Eisenhower. "This program," wrote Freeman, "is of utmost importance to insure our safety and to promote the prospects for peace in the U.S. and the world." Governor Freeman was not the only Democratic leader upset by the budget-slashing direction of the 85th Congress under Texas Democrats Lyndon Johnson and Sam Rayburn. In nearly every state outside the South, top Democrats viewed with anguish...

Author: /time Magazine | Title: THE DEMOCRATIC SPLIT: It Is Deep & Real--& Wno Can Repair It? | 6/3/1957 | See Source »

...John H. Freeman...

Author: NO WRITER ATTRIBUTED | Title: Spring Sport Letter Winners | 6/1/1957 | See Source »

While Audience's poetic whimsies represent the prevailing tone, the three most interesting poems are in a more serious vein. Arthur Freeman's two pieces remind one of the psychological narrative of Ford Madox Ford: the first one with its use of colors, the second with its mutely horror-stricken irony and its dramatic development. Freeman's contributions are by far the most sincere and effective ones in the issue. John Hollander's and Richard Howard's joint whirl into impressionism is the only other serious poem which need be taken seriously. Sandra Hochman's two poems, however, at least...

Author: By Frank R. Safford, | Title: Audience | 5/28/1957 | See Source »

...issue features poems by I. A. Richards, University Professor, Donald Hall, John Coolidge, Peter Heliczer, John Hollander, Richard Howard, Arthur Freeman, and Roger Morse, and short stories by Juan Alonso, and Guy Davenport...

Author: NO WRITER ATTRIBUTED | Title: 'Audience' Magazine Appears With New Quarterly Format | 5/25/1957 | See Source »

Pianist Robert Freeman has just completed a thesis on the cadenzas to the Mozart Piano Concerti; he must have been discouraged with what he found, as he wrote his own for the performance of the Concerto No. 24. They were short and well suited to the work, which he played magnificently. His touch was sparkling or tender as called for, and his interpretation showed meticulous care. The Orchestra was fine behind him, and, except for a tempo disagreement in the last movement, the rhythms were taut and exciting...

Author: By Stephen Addiss, | Title: The Bach Society Orchestra | 5/8/1957 | See Source »

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