Word: freeman
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...Janet Waegel (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jamie Elsis, Paul Lussier, Thomas M. Miller, Sharon Okamoto (Associate Art Directors); Joseph Aslaender, Kenneth B. Smith (Assistant Art Directors); Ron Plyman, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Steven D. Hart, Deborah L. Wells Administration: Carrie A. Zimmerman...
...Janet Waegel (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jamie Elsis, Paul Lussier, Thomas M. Miller, Sharon Okamoto (Associate Art Directors); Joseph Aslaender, Kenneth B. Smith (Assistant Art Directors); Ron Plyman, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Steven D. Hart, Deborah L. Wells Administration: Carrie A. Zimmerman...
...Janet Waegel (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jamie Elsis, Paul Lussier, Thomas M. Miller, Sharon Okamoto (Associate Art Directors); Joseph Aslaender, Kenneth B. Smith (Assistant Art Directors); Ron Plyman, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Steven D. Hart, Deborah L. Wells Administration: Carrie A. Zimmerman...
...audience. Even so, his character could not survive without Red's example. Red is the guy who can get you anything, from a pack of butts to a movie-star poster. He's all self-containment, never raising his voice or anyone's suspicions about his activities. And Freeman, who is simply a great actor, a man who has never struck a false note in his career, both narrates this tale and anchors it with his authoritative playing...
...movie needs the kind of authenticity that Freeman brings to it. The Shawshank Redemption is based on a Stephen King novella that is just a little too smooth for its own good. It's satisfying to watch all the book's moving parts mesh, but a certain lifelike uncertainty is sacrificed to the neatness. Happily, writer-director Frank Darabont understands this. He makes you feel the maddening pace of prison time without letting his picture succumb to it. He is also efficient and clever with secondary characters like James Whitmore's con librarian, who's been in so long...