Word: freeman
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...Betsy Brecht (Senior Associate Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz (Associate Art Directors); Joseph Aslaender(Assistant Art Director); David Drapkin, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Leslie Dickstein, Steven D. Hart, Deborah L. Wells...
...Betsy Brecht (Senior Associate Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz (Associate Art Directors); Joseph Aslaender(Assistant Art Director); David Drapkin, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Leslie Dickstein, Steven D. Hart, Deborah L. Wells...
...Betsy Brecht (Senior Associate Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz (Associate Art Directors); Joseph Aslaender(Assistant Art Director); David Drapkin, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Leslie Dickstein, Steven D. Hart, Deborah L. Wells...
...Betsy Brecht (Senior Associate Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz (Associate Art Directors); Joseph Aslaender (Assistant Art Director); David Drapkin, Leah M. Purcell (Designers); John P. Dowd (Traffic) Maps and Charts: Joe Lertola (Associate Graphics Director); Paul J. Pugliese (Chief of Cartography); Leslie Dickstein, Steven D. Hart, Deborah L. Wells...
...Skinazi, who might consider a second career as an editor, had guessed our plans exactly right. Yes indeed, we were readying a special report on the United Nations Conference on Environment and Development in Rio, and yes, we were in need of a cover illustration. Freeman asked Skinazi to send a transparency of the painting. Even though TIME rarely uses unsolicited artwork for the cover, the simple beauty of this painting delighted everyone, and art director Rudolph Hoglund decided to use it. "Before I told Lia about the situation, I asked her to name the most famous magazine...