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Word: french (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...first brought international recognition to Gaston Bayle, a stupid fraud that caused his death. Five years ago one Emil Fradin, a shrewd peasant lad, dug up a number of curiously inscribed brick and clay tablets in a field at Glozel, France. Immediately the "Glozel Finds" attracted world wide attention. French archeologists announced that they were important relics of the Stone Age, wrote monographs. British and French illustrated weeklies printed elaborate facsimiles of the Glozel tablets, compared them in importance to Egypt's Rosetta Stone, Britain's Piltdown skull. Gaston Bayle was not impressed. With his test tubes...

Author: /time Magazine | Title: FRANCE: Gaston Bayle | 9/30/1929 | See Source »

France and the U. S. made their celluloid peace last week. Arbitrators were Under Secretary Andre Francois-Poncet of the Ministry of Fine Arts and Harold L. Smith of Will Hays's Motion Picture Producers and Distributors of America, Inc. To the chief of the French Cinema Trust (Chambre Syndicale), industrious, scheming Jean Sapene, the peace was as distasteful as a hurtling Hollywood pie-in-the-face...

Author: /time Magazine | Title: Foreign News: Pie-in-the-Face | 9/30/1929 | See Source »

...French Government abandons in principle though retaining temporarily the irksome quota system under which U. S. cinemakers have to buy one French film for every seven U. S. productions they sell in France, thus obliging them virtually to subsidize the French Cinema Trust...

Author: /time Magazine | Title: Foreign News: Pie-in-the-Face | 9/30/1929 | See Source »

...French system of levying on U. S. films will be worked out and applied, but it is understood that this will be simply a straight import tax with no direct subsidy feature...

Author: /time Magazine | Title: Foreign News: Pie-in-the-Face | 9/30/1929 | See Source »

Last March the U. S. cinema interests in France, well knowing that Cineman Sapene had all but persuaded the French Government to tighten the one-for-seven quota to a struggling one-for-four, retaliated by refusing to release any new films in France until this threat was removed. As a result hundreds of French exhibitors have been losing money all summer, since their patrons would not come in paying numbers to see U. S. films left over from last winter or the distinctly inferior products of the French Cinema Trust. Last week's truce was no sooner signed than...

Author: /time Magazine | Title: Foreign News: Pie-in-the-Face | 9/30/1929 | See Source »

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