Word: french
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Dates: during 1950-1959
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Last week, two days after Nikita's speech, the French Communist Party arose from one of those crow-eating feasts of "selfcriticism" that used to be held more regularly in Stalin's time. The French party's original stand, it now conceded, "was not quite in tune on certain points with the general analysis of the Algerian problem made . . . at the party's 14th and 15th congresses...
...first time in a decade, French Communist papers, instead of referring to De Gaulle brusquely by surname alone, prefaced it respectfully with the title "General." But this was not all. Abandoning a longtime boycott on social affairs attended by De Gaulle, eight Communist Deputies showed up at a glittering reception given in the general's honor by National Assembly President Jacques Chaban-Delmas, and maneuvered through the crowd until they managed to place themselves directly in De Gaulle's path. Just as they were about to meet face to face, suave Jacques Chaban-Delmas, responding to advance warnings...
...coat and tie for a Mapai rally at which Ben-Gurion and everybody else on the platform wore open-necked shirts. As quickly as was diplomatically possible, Eban stripped to his shirtsleeves and scored a smashing comeback by appealing for votes with U.N.-style eloquence in Arabic, Spanish, French, Persian and Hebrew. Peres and Eban are now in line for top government posts, and Ben-Gurion makes no secret of the fact that he would like to see one-eyed General Moshe Dayan, the man with the eye patch, his successor...
...fashion of the court of Louis XV. Harvard President Nathan Pusey turned up, sedate in white tie and tails. Of the 60 guests, 40 were in 18th century costume, and their names made a roll call of Boston's social top drawer. Occasion: a performance of selections from French Composer Jean-Philippe Rameau's comic ballet Platée (1745), with French Tenor Michel Sénéchal in his U.S. debut. Place: the 60-seat, century-old Varieties Theater in the Brookline mansion of Boston Socialite Mrs. George Shattuck, one of the few surviving private stages...
...title role, Tenor Sénéchal, in green tufted wig and high-heeled green shoes, made his way down the aisle to a spattering of applause. (For reasons best known to the French, the foolish old nymph in Platée was written for a tenor.) As Sénéchal launched into the music, he quickly demonstrated why he is one of France's most courted lyric tenors. The smooth, light-textured voice moved with ease from falsetto to full voice, changing shading and color as it kept pace with Tenor...