Word: french
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Dates: during 1970-1979
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...inform your class of the day, hour, and place of your examination. WEDNESDAY, AUGUST 16, 1978 9:15 a.m. 8 O'CLOCK CLASSES Astronomy S-5 Memorial Hall Biology S-1b Memorial Hall Biology S-123 Science Center B Economics S-10 Emerson 105 Economics S-1010a Memorial Hall French S-Aab Boylston 10 Japanese S-102ab Memorial Hall Philosophy S-141 Memorial Hall Psychology and Social Relations S-1240 Memorial Hall Sociology S-10 Memorial Hall Spanish S-Aab Memorial Hall WEDNESDAY, AUGUST 16, 1978 2:15 p.m. 11 O'CLOCK CLASSES Astronomy S-6 Memorial Hall Chemistry...
...example, I don't know of too many people who find terrorism all that funny. But, in a sequence that I suppose is meant to be a comment on the Italian social condition (none too great, these days), a strange man (Yorgo Voyagis) who doesn't speak Italian, French or English spots and subsequently seduces a radiantly beautiful Alitalia stewardess (Ornella Muti, the best thing about this film). The next morning, as she is about to board her plane, he rushes up to her, embraces her and then gives her a tape recorder playing the tune to which...
...have to finish once and for all with the current of French tradition, which almost totally dominates German painting," Grosz wrote to a friend as the first World War was ending. "We have to finish with these weary painters of sentiment and vagueness, Cezanne, Picasso and the rest." Certainly, for the first 20 years of the century, the current between the avant-garde of the two capitals ran only from Paris to Berlin. As the German art historian Werner Spies remarks in the catalogue to "Paris-Berlin," the visits made by Henri Matisse or Robert Delaunay to Germany were "marked...
...With us," Macke wrote in 1910, four years before he was killed in battle, "each risk is the desperate and chaotic experience of a man not in command of his tongue." The principal influence on Macke was French: the paintings of Delaunay, like A Window, 1912-13, which had been seen in Berlin in 1913. Its light-filled space, saturated with color-not the sober browns and grays of cubism, but the full radiance of the spectrum from high yellow through to ultramarine, with a vestigial slice of trusswork from the Eiffel Tower rising in the top third...
...Women's Room, French...