Word: french
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Dates: during 1980-1989
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...understand that what we call cultural sovereignty is as vital to our national life as political sovereignty." To make sure that the message got through, and to see that it made news in Quebec as well as in the English-speaking provinces of Canada, Mulroney repeated it in French...
...strongest and must amusing numbers is "C'est Moi," the entrance tune of Sir Lancelot (Andrew Gardner), a self-proclaimed "French Prometheus unbound." Gardner deftly embodies a ridiculous paragon of self-confidence and self-righteousness. He has a handsome easy manner and he uses his mobile (and bushy) eyebrows to great comic effect. From France, Lancelot has travelled to join Arthur's new order, the Knights of the Round Table, a chilvalrous fraternity dedicated to Arthur's new Machiavellian philosophy that might should be the weapon of right. Arthur welcomes him readily while the rest of the court initially...
...Signe Du Lion: film, French Library, 53 Marlborough St, Arlington...
...only bad news is that two current thrillers by past masters of this now resurrected form, William Friedkin (The French Connection) and Arthur Penn (Bonnie and Clyde) do more to send the genre back to the graveyard than they do to set the spirit free. After watching To Live and Die in L.A. and Target, it doesn't take a film critic to see that Friedkin's style, once straightforward, has become hyperkinetic and trendy in this era of music videos, while Arthur Penn's more innovative and personal approach to filmmaking has become increasingly more traditional...
BOTH FREIDKIN'S picture and Penn's boast elaborate set-piece car chases. Friedkin's French Connection- style wrong-way run on the L.A. freeways may be more spectualar, but Arthur Penn's chase scene, dismissed by most critics, is exciting in a precise, stripped-down way. It gets an equal measure of audience applause in the theatres, presumably because of rooting interest in the father-son duo at the heart of the film...