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...Three Columns Gallery—the art showcase near the Mather dining hall and across from the Junior Common Room—earns particular admiration from McDonald, a French language and literature and comparative literature professor who studies literature’s relationship with art and the social sciences...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New House Masters Bring Twin Interests to Mather | 4/8/2010 | See Source »

...extensive involvement in faculty life has introduced the couple to other Masters, including Kirkland House Masters and fellow French professors Tom C. and Verena A. Conley, Leverett Masters Howard M. Georgi ’68 and Ann B. Georgi, and Lowell Masters Diana L. Eck and Dorothy A. Austin...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New House Masters Bring Twin Interests to Mather | 4/8/2010 | See Source »

...play—directed by James M. Leaf ’10—opens with the bloodthirsty enthusiasm characteristic of the early days of the French Revolution. “Only cowards die for the Republic,” Danton thunders to a crowd of eager peasants. “Jacobins kill for it!” This violent passion in Danton’s early days finds a corollary in his sexual appetite. An unabashed patron of whorehouses, the Revolutionary leader immerses himself fully in the sensual pleasures of life, even cheekily noting, “What...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

...stage evoke nothing of Revolutionary France, but instead resemble the Dorm Crew storage closet. The most successful props are a few large wooden tumbrels, which provide a versatile playground for the actors as they use the handsome carts to labor, seduce, and persecute. As a perfunctory nod to the French national motto, “liberté,” “égalité,” and “fraternité” are scrawled graffiti-like in blood-red paint on banners which loom in the rafters high above the stage...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

...confined to the aspiring author or the Ellison specialist. The incompleteness of the novel does not detract from its overall power. “I was awed by the sweep of it,” says McIntyre as he is led into the war-rent ruins of a French cathedral, “and the very damage, the smashed incompleteness, made me realize as never before the grandeur of its inspiration.” The same might be said of “Three Days Before the Shooting...,” a collection whose lack of narrative cohesion makes...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: Ralph Ellison’s Unfinished Manuscript | 4/6/2010 | See Source »

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