Word: frequentative
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...coordinating with UHS to help prevent the spread of the flu at mealtimes. In addition to using strict sanitation procedures which are already standard at HUDS—such as the use of sanitizer to wipe down all equipment, regular hand-washing by employees, high-temperature dishwashing machines and frequent changing of utensils—they will implement other preventive measures as flu season approaches...
...worked for a frequent guest of the Peninsula New York when she brought along her baby. To her delight, housekeeping had outfitted her suite with toys, a new crib and a high chair, which are now kept on hand solely for her use. The Peninsula Beverly Hills even pampers pets with massages and Evian-filled water dishes. At one owner's request, the hotel organized a playdate for a lonely canine...
...weeks ago, Carlos Lopes, the managing director of the Hotel Bel-Air, visited a fancy Los Angeles fireplace store accompanied by a renowned architect. A connoisseur of hearths and a frequent guest at the Bel-Air, the architect hoped to use his clout to persuade Lopes to buy a state-of-the-art gas model for the suite he always books. Lopes says he will probably grant the wish, just as he does nearly every request from his best customers...
...course, catering to FORTUNE 500 CEOs, heads of state, Hollywood hot shots and jet-setters who frequent the property--where the median room rate is $495 a night and $1,800 a night for suites--is part of the job. But these days, Lopes and his counterparts around the globe say, survival in the lucrative but competitive luxury travel industry means going to extraordinary lengths to indulge guests. During the Hotel Bel-Air's renovation 18 months ago, Lopes redecorated 16 suites according to the tastes of their most frequent occupants. As a result, the bungalow used by a certain...
...this passive philosophical notion of our random interconnectedness perverted into a chilling precept of horror. Shimizu makes the most of this, generating tension and genuine terror with a slow, sweeping camera that seems to glide across the traditional Japanese interiors with neither rhyme nor reason; he uses frequent long takes with symbolic tableaux in the foreground and complex interactions occurring in the background. Shimizu takes this potent philosophical notion and maximizes it’s potential for a startling filmic effect; at least, for the first 30 minutes...