Word: frequently
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Dates: during 2000-2009
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...that Hammonds still seemed to be settling in to her job. “We hope and think that working with students will be one of her top priorities,” he said at the time. “The Dean and I have not been in particularly frequent contact, though we did have two great e-mail exchanges in May.” In his experience on the UC, Zagorsky said that Dean of Freshman Thomas A. Dingman ’67 has been very accessible to members of his class, but “the rest...
...viewers of the first cathode age knew Cooke as the front man for Omnibus, which ran on Sunday afternoons on CBS, then ABC, then NBC, from 1952 to 1961. This 90 min. melange of the arts highlighted the lions of the day in music (Leonard Bernstein was a frequent guest), dance (Gene Kelly demonstrated how baseball was like ballet) and short dramatic pieces (like William Inge's "Glory in the Flower," with Hume Cronyn, Jessica Tandy and the 22-year-old James Dean). The ringmaster was Cooke, who easily convinced early TV viewers that culture could be enlightening, challenging...
...grid. That last item is a necessity, if the country has any hope of scaling up alternatives. A report published Nov. 10 by the North American Electric Reliability Corporation found that without drastic investment in a better grid, scaling up intermittent renewables like wind and solar could lead to frequent blackouts. And there's no better way to turn people off of renewable energy than to periodically plunge them into TV-less darkness...
...Hammond, shares ice cream with paleobotanist Ellie Satler. In the play’s version of the scene, Satler (Rose Chase)—who has fluctuated from timid to nymphomaniacal to bloodthirsty—devoured a tub of ice cream with her bare hands. Hammond (Ed Schrader), a frequent fourth-wall breaker who had just finished an extended Bob Hope routine, came up from behind and tried to snuggle with her as he talked. “I just want to make sure you can hear me,” he explained. In the movie, the scene ends with...
...confrontation with his friend Paul Gauguin? And then there’s Paul Gauguin himself, who is known for his attempt to escape European civilization in search a pre-civilization good life in Tahiti. There is the sadly romantic story of the dwarfen Henri Toulouse-Lautrec, who would frequent the Moulin Rouge to pine after the beautiful, tall dancer Jane Avril.But Daniel Kehlmann, the author of the novel, “Me & Kaminski,” disputes whether one can reduce an artist’s life to such stories. Kehlmann embarks on an ambitious project to chronicle the process...