Word: frescoe
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...Aldine editions of illustrated works like the Hypnerotomachia Poliphili fostered an unsurpassed quality in Venetian woodblock cutting. Indeed, Titian's twelve-sheet print The Submersion of Pharaoh's Army in the Red tonal vigor and grandeur of notation, is to woodcut what the Sistine Chapel is to fresco...
...Tragic muse settle over the events like a vulture, a wonderfully rough comic sense continually jostles it aside, and the two end up coexisting guardedly. Symbolic of the filmmakers' attitude is the scene in the beginning of the film when Cecelia, sitting in church, stares at the horribly gruesome fresco of the torments of hell on the wall--in response to the crosseyed anguish of one of the damned, Cecilia crosses her own eyes in delight...
...high plateau of papal collecting and patronage came in the 16th and 17th centuries. It lasted from the pontificate of Julius II (1503-13)-who commissioned the frescoes in the Stanze from Raphael and the Sistine frescoes from Michelangelo-through the reign of Clement VIII (1592-1605). In those years the most vivid and impressive aspects of papal taste came to their highest pitch, sometimes nearly bankrupting the papacy with the mania for the Antique, the demand for vast fresco cycles, fountains and pharaonic tombs, and the general love of lapis lazuli and gold...
...papal patronage guttered out, except for a few ornamental mediocrities like Giacomo Manzii's door for St. Peter's. Modern Popes disliked modern art because they associated it with liberalism. Eventually the problem vanished: John Paul II would learn to use television as his predecessors had used fresco...
...carcass. A deadly boomerang shears off fingertips, creases a man's skull. That's entertainment? As a series of isolated incidents, no; our nerve endings have long since been numbed by the movies' aimless carnage. But as garishly precise daubs in George Miller's apocalyptic fresco, they add up to exhilarating entertainment-and a textbook for sophisticated, popular moviemaking...