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Among the purchases were: from the Francis H. Burr Memorial Fund a Gandharan relief of the Birth of Budda; from the Alpheus Hyatt Purchasing Fund a sixth-century Coptic frieze; a Persian fresco from the Prichard Fund. From the Excavation Fund there was acquired twelve casts of Seythian and other objects in Budapest, and sixteen Roman and Egypto-Roman terra cotta figurines and fragments of Persian pottery were acquired from a temporary fund...

Author: NO WRITER ATTRIBUTED | Title: $37,000 WORTH OF GIFTS GIVEN TO FOGG MUSEUM | 1/29/1936 | See Source »

Three outstanding purchases were made during the year. The first, a commission for a fresco entitled "Structure," was painted in one of the corridors of the Museum by Lewis W. Rubenstein '30. The other two were a drawing by Charles Sheeler, "Feline Felicity," and a "Portrait of Miss Grant," one of the rare works of the father of American art history, William Dunlap...

Author: NO WRITER ATTRIBUTED | Title: FOGG MUSEUM REPORT SHOWS BIG DONATIONS | 1/8/1936 | See Source »

...your fourth article you speak of the opportunities at Cranbrook near Detroit to watch a celebrated sculptor work. Last year the students had an opportunity to watch Mr. Lewis Rubenstein, a young artist who is a recent graduate of Harvard, paint a fresco on the wall of a corridor in the Fogg Museum in the old Italian technique, and it is hoped that it will be possible to give students more such opportunities in the future than they have had in the past...

Author: NO WRITER ATTRIBUTED | Title: Fogg Director Answers Editorials on Suggested Revision in Fine Arts Work | 10/25/1935 | See Source »

Down on Sixth & Greenwich Avenues, Manhattan, there was great excitement in the women's jail last week. On the recreation roof of the House of Detention for Women, one of the best known model prisons in the U. S., a great fresco panel, first of a series depicting The Cycle of a Woman's Life was just finished. Giggling, nudging, shrilling with excitement, the inmates in their brown-&-white-checked house dresses crowded round the small, serious artist with cries of "Ain't it purty...

Author: /time Magazine | Title: Art: Jail Job | 10/21/1935 | See Source »

Back in the U. S. she met paunchy Diego Rivera, begged his permission to grind colors, become his assistant. She worked with the Mexican muralist on his Detroit Art Institute fresco before helping him with the fresco fiasco of Rockefeller Center (TIME, May 22, 1933 et ante). It was Lucienne Bloch, as Rivera's official photographer, who took the only pictures of the completed mural before it was ordered destroyed. A few friends call her Lucienne; a few call her Luce. She hates Lucy, prefers the simple, abrupt "Bloch...

Author: /time Magazine | Title: Art: Jail Job | 10/21/1935 | See Source »

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