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Sardinian-born sculptor Costantino Nivola has contributed two works to the uncompleted commons wing of Quincy. His graffito--a combination of fresco painting and engraving on white stucco--adorns the west wall of the main dining room, while a Nivola bas-relief covers the wall separating the stairwell from the dinning room...

Author: NO WRITER ATTRIBUTED | Title: Nivola's Work Brightens Quincy House | 9/21/1959 | See Source »

...statement: "A church is God's hangar on earth." But to Belo Horizonte's Roman Catholic archbishop, Niemeyer's hangar looked more like the devil's bomb shelter -a parabolic vault of glass and stucco, with an emaciated Christ glaring from a huge fresco by Painter Candido Portinari. Worse, Architect Niemeyer and Painter Portinari were godless Communists. Despite protests by Belo Horizonte's Mayor Juscelino Kubitschek, Archbishop Dom Antonio dos Santos Cabral called the structure "unfit for religious purposes...

Author: /time Magazine | Title: Religion: Fit for Prayer | 4/27/1959 | See Source »

Plastered? In Mexico City, the Francis Tours sightseeing program outlines a nine-hour visit to Xochimilco's Floating Gardens, encourages tourists to "admire the fresco paintings on the outside of the Secretary of Public Works...

Author: /time Magazine | Title: Miscellany, Jan. 26, 1959 | 1/26/1959 | See Source »

...democratic level. Their concept was to dignify humble subject matter, objects like bottles and pipes that men everywhere knew, instead of bringing the uneducated up to the iconographic level of traditional art. In his latest painting, Le Corbusier has dropped much of the theory and concentrated on more sculptural, fresco-like designs. His work shows great awareness of the inter-relationship between the art and the architectural setting in which they are placed...

Author: By Lowell J. Rubin, | Title: In and Out of the Galleries | 2/15/1957 | See Source »

...massive central balcony and surrounding galleries of Manhattan's Metropolitan Museum of Art last week were aglow with an unprecedented display of masterpieces. On view were Giotto's famed Paduan fresco Betrayal of Christ, Piero della Francesca's looming Resurrection, the Louvre's Mona Lisa, El Greco's towering 16-by12-ft. Burial of Count Orgaz and Georges Seurat's 7-by-10-ft. Sunday Afternoon on the Island of La Grande Jatte. To equal the experience, an art lover would have had to visit 26 museums, travel some 15,000. miles...

Author: /time Magazine | Title: Art in Hi-Fi | 12/3/1956 | See Source »

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