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Granted, Jesse Jackson's candidacy [NATION, May 7] is rooted in the black political conscience, but his message is the most far-reaching and freshest presented by a Democratic candidate. Jackson cuts across traditional lines of race, class and even party. We may be witnessing the most significant political event since Franklin Roosevelt took office...

Author: /time Magazine | Title: Letters: May 28, 1984 | 5/28/1984 | See Source »

Williamson is freshest when he writes about his contemporaries-- Louise Gluck, Richard Tillinghast, Diane Wakoski, Frank Bidart, James McMichael, Robert Pinsky, and Allen Grossman. Each of these poets has confronted the same problems that Williamson's book addresses, and Williamson's refusal to apply premature classifications is the beginning of a fair critical treatment of these poets. It is here that he addresses the complexity of each post's private images and the value of irony...

Author: By Naomi L. Pierce, | Title: Inward Bound | 4/25/1984 | See Source »

Through this underworld Pacino stalks like a panther. He carries memories of earlier performances (the bantam bombast of Dog Day Afternoon, the nervous belt tugging from American Buffalo, the crook'd arm from his Broadway Richard III), but creates his freshest character in years. There is a poetry to his psychosis that makes Tony a figure of rank awe, and the rhythm of that poetry is Pacino's. Most of the large cast is fine; Michelle Pfeiffer is better. The cool, druggy Wasp woman who does not fit into Tony's world, Pfeiffer's Elvira...

Author: /time Magazine | Title: Cinema: Say Good Night to the Bad Guy | 12/5/1983 | See Source »

Even the album's freshest song, "Crackpot History and the Right to Live," gets its energy from the combination of two old approaches: Aggressive, shouting disco and a psychedelic, stretched-out chorus that doesn't make sense...

Author: By Naomi L. Pierce, | Title: Hardcore Curriculum | 2/24/1983 | See Source »

Knight Rider may demonstrate a certain brazen, even desperate, retooling of stock elements that have already become television cliches. Remington Steele (NBC, Fridays, 10 p.m. E.S.T.), on the face of it, hardly seems more promising. But on prolonged acquaintance, it shows every sign of being the brightest, freshest television caper since Columbo. Laura Holt (Stephanie Zimbalist) is an ambitious, adventure-hungry private eye whose phone never rang until she invented a partner who was, naturally, male (she got his name from marrying an electric shaver to a football team) and who would nominally solve all her cases. Clients flocked. Then...

Author: /time Magazine | Title: Video: Lunks, Hunks and Arkifacts | 11/15/1982 | See Source »

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