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...shows off his skill with an airplane for his sweetheart from the girls' school begins with the wide-eyed enthusiasm of the era, but just a few words later and Freeman is describing the nosedive with modern phallic abandon. Later on, a troubled character exclaims that not even "Professor Freud" could explain his malady. Freeman seems to suggest ironically that perhaps he could...

Author: By Adam S. Cohen, | Title: Sunny Side Up | 2/5/1982 | See Source »

...time long ago, but gently prodded to make sense of it in a modern context. Yet despite the fact that Freeman has our values and knows the same literary buzz words we do, she succeeds in re-creating an era on its own terms--an era for which Freud had no answers, when a young lady's unchaperoned absence raised eyebrows, and when Easter egg hunts were actually...

Author: By Adam S. Cohen, | Title: Sunny Side Up | 2/5/1982 | See Source »

NABOKOV hated many things--popular culture, for instance, including advertising, journalism, and psychology (Freud was the Viennese witch doctor). He hated Thomas Mann. And most interesting of all, he hated Dostoevsky. Nabokov is at his most provocative when he ranks the great Russians. Most of his own emotions, it seems, were poured into his worshipping of Tolstoy, on the one hand, and his vicious debunking of Dostoevsky, on the other. The final ranking is, officially: 1. Tolstoy; 2. Gogol; 3. Chekhov; 4. Turgenev. Dostoevsky is dead last. Nabokov accuses him of sloppy and melodramatic Christianity, reactionary slavophilism (which Nabokov links...

Author: By Christopher S. Wood, | Title: Taking Revenge Against Raskolnikov | 1/11/1982 | See Source »

...White Hotel by D.M. Thomas. A dark age revolves around the solitary figure of a woman analyzed by Sigmund Freud and later killed by the Nazis at Babi...

Author: /time Magazine | Title: Fiction: Best of 1981: Books | 1/4/1982 | See Source »

...circa 1955) when The Vatican Rag caused frissons and merriment all around the campus- circuit. Songwriter Tom Lehrer was a Harvard math professor who could do numbers on anything from sex to the Bomb. But satire is a parasitical art, no stronger than its host. Folk singers, the. military, Freud and faith, all have been familiar targets for over a generation. Today Tomfoolery, a chrestomathy of 28 Lehrer hits, seems about as audacious as a glass of eggnog...

Author: /time Magazine | Title: Theater: 11 Celsius | 12/28/1981 | See Source »

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