Word: freude
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...What interests me about you," Freud is said to have told Dali, "is not your unconscious mind, but your conscious." He was right; not only did the pores of Dab' 's invention stop oozing about 40 years ago, but the repetition of his stock in trade (the nudes with drawers and lip sofas, burning giraffes and lanky, deliquescent women, the double-image paintings of landscape becoming figure in the manner of 16th century puzzle pictures) be came a bore. Of his latest work, with its grand claims to incarnate everything from the secrets of the DNA molecule...
DIED. Oskar Kokoschka, 93, Austrian-born expressionist; in Villeneuve, Switzerland. In his 20s the fiery, eccentric Kokoschka painted some of the great portraits of the century, which explored the recesses of the psyche, even as his compatriot Freud was probing it. With Kirchner, Nolde and Max Beckmann, among others, he was a founder of the style of radical figurative art known as German expressionism. After World War I he turned to bright cityscapes, and during his last years in Switzerland, to Alpine landscapes...
...most eccentric American movie in years, and no wonder. The director, John Huston, 73, is a genuine maverick: though his long career has included many conventional entertainments (The African Queen, The Man Who Would Be King), he has always been game for such bizarre experiments as Beat the Devil, Freud and Reflections in a Golden Eye. This time, Huston has found material that was all but guaranteed to fuel the battiest recesses of his imagination. Wise Blood is based on Flannery O'Connor's extraordinary first novel, which infused the conventions of Southern gothic fiction with fiery Catholicism...
Electra's brother Orestes (Gwilym) comes home as a stranger. After the famed "recognition" scene, Electra embraces him with incestuous ardor. Modern audiences can easily comprehend Freud's comment that he had merely systematized what the Greek poets had known all along: the slaying of the parent remains a ritual whose power to chill has lost nothing in 2,500 years...
...part of the early modernist program as the desire to purify art to flat patches of color on a flat surface. B Gauguin wanted to make vast allegories of human fate; Edvard Munch, in Norway, elaborated an entire structure of symbolism to describe the 1 inner world that Freud, in the 1890s, was beginning to approach through clinical means. Even styles that now seem symbolically neutral could be charged with unexpected meanings...