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Those indefatigable human detergents, the censor and the prude, have utterly failed to launder, much less expunge, man's lowest literary form: the dirty joke. What accounts for its lusty and unabashed survival? Freud suggested that the smutty story verbalizes male aggressive instincts against the highly disturbing opposite sex. Somewhat embellished, this theory lies at the heart of Gershon Legman's Rationale of the Dirty Joke (Grove Press; $15), which beyond all doubt qualifies as the most bizarre book of research in recent years. Legman's study is an 811-page anthology of dirty jokes, complete with...

Author: /time Magazine | Title: Sex: The Humor of Hostility | 1/17/1969 | See Source »

...Theater was to Stanislavsky, these performers are to Bergman-ensemble members who function like fingers on a hand. Liv Ullman, newest member of the troupe, is, astonishingly, the best, portraying a whole range of feminine response, from molten eroticism to glacial hate. At the end of his life, Freud wrote: "The great question, which I have not been able to answer despite my 30 years of research into the feminine soul, is 'What does a woman want?'" Ullman supplies no answer, but no other actress could have rephrased the question so well...

Author: /time Magazine | Title: Cinema: Heroic Despair | 1/10/1969 | See Source »

...weaker man might never have come to fruition. In the long run, isolation proved a blessing. For Cary had to sweat over his craft far from the corrupting literary ambience that often sustains but modishly distorts young talent. London was full of Weltschmerz and fashionable reliance on canned Freud and Frazer. Cary was unaffected. Literary myth seekers and archetype spotters will look in vain through Cary's fiction. "My novels point out that the world consists entirely of exceptions," he wrote. Persistently, he saw the world as a struggle between creative man and organized authority, with no quarter given...

Author: /time Magazine | Title: Books: Himself Surprised | 1/10/1969 | See Source »

...language transpositions from the Greek lack eloquence, spareness or precision, and the contemporary colloquialisms iar the ear. Lines like "You mean you intend to kill your mother?" produce wildly inappropriate laughter from an audience saturated with Freud. The prevailing style of the evening is that of neo-Shakespearean swashbuckling, and the barely adequate cast seems to relish all opportunities for bombast and comic clowning. The chorus resembles the witches from Macbeth multiplied. The murders might as well have been performed by Richard III. Elizabethan Greeks are a novelty all right, but they reduce the play to historical pageantry, horseplay...

Author: /time Magazine | Title: Repertory: Elizabethan Greeks | 12/27/1968 | See Source »

Nietzsche and Freud. Both the design and the direction sought to emphasize one of Ponelle's major beliefs about Verdi: that he was just as much a psychological music dramatist as Wagner. "Verdi felt and anticipated a great deal of what was later expressed by Nietzsche and Freud," he says. "In Don Carlos, King Philip is a man burdened beyond endurance with the responsibility of preserving an empire doomed to crumble, a man trembling at the possibility that the hand of God is hidden in the Inquisition. Carlos is a neurotic suffering from a clearly delineated Oedipus complex...

Author: /time Magazine | Title: Opera: Character, with Chi-chi | 12/20/1968 | See Source »

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