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...CHARLES'S EYES, his father is God, Jehovah, the God of stern justice, the most extreme form of the classic Freudian father. Tall, lanky, looking like a ragged page boy. Charles can only smile quiveringly in his father's presence. Theo blocks Charles from finding his own identity: Theo has told him, whether truthfully or not, that he is a foundling, and his real parents unknown, killed by lightning--Jehovah's staff...

Author: By Phil Patton, | Title: Playing God | 10/21/1972 | See Source »

Chabrol punctuates Charles's self-questioning with the good old Freudian image of the mirror: Charles in front of a bathroom mirror, wondering where the blood on his hands came from; Charles seeing himself twisted in a shiny bar counter; Charles at home seeing his reflection and Helene's in a pond. And in this last image is represented a certain success for Charles in his quest: he has fallen in love with Helene, his father's wife, whom he calls mother...

Author: By Phil Patton, | Title: Playing God | 10/21/1972 | See Source »

Even in fairly major details. Miller has departed from the precedent laid down by the Bible and Paradise Lost. Introducing Freudian psychology, he suggests that God's subconscious created the Tree of Knowledge and that Eve fell into temptation out of penis envy. He also implies that Cain was actually sired by Lucifer, and he ends the Cain-and-Abel offering scene with a chaotic and completely inexplicable orgy in which Cain starts fucking his mother" (as the Devil so delicately puts it). On the other hand. Miller remains remarkably true to Milton in his portrayal of Lucifer's character...

Author: By Wendy Lesser, | Title: During the Fall | 10/7/1972 | See Source »

...dirty thoughts, study poli sci and get high on hippomenes. Zeus, in the form of a high school drop-out, rapes unsuspecting women and Bellerophon is dismissed by all as another quack would-be hero. Heroic love is forever lost in the sexual profusion and confusion of these post-Freudian ancient Greeks...

Author: By Michael Levenson, | Title: Beyond the End of the End of the Road | 10/6/1972 | See Source »

...logic of the absurd, Kepesh is a huge success-a post-Freudian wonder who no longer needs to adjust to civilization's discontents. As he comes to realize this, he assumes the arrogance of the chosen and decides to milk his uniqueness for all the pleasure and celebrity it is worth. "This, my friend," he cries, "is the Land of Opportunity in the Age of Self-Fulfillment, and I am David Alan Kepesh, the Breast, and I will live by my own light!" Visions of big money and fame join his fantasies...

Author: /time Magazine | Title: Books: Braless in Gaza | 9/25/1972 | See Source »

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