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...against church and state. At the University of Madrid, he was an intimate of the revolutionary poet Federico Garcia Lorca and the genius-impostor Salvador Dali, with whom he shared two main interests, cinema and surrealism. Later, they made two pioneer films: The Andalusian Dog, notable for its explicit Freudian imagery and resolute non-meaning, and The Age of Gold, which contained frenzied images of a homicidal Christ figure. That succès de scandale severed the collaborators forever. "The film was a caricature of my ideas," complained Dali. "Catholicism was attacked in an obvious way, and quite without poetry...

Author: /time Magazine | Title: New Movies: The Love-Hate of Luis Bunuel | 11/28/1969 | See Source »

...method of diverting attention from racial criticism of American society. Like the right-wing paranoids, they do this by assuming that radicals can't really be all that unhappy with society-that there must be something else behind their protests. To these psychiatrists, that something can be found in Freudian psychological theories...

Author: By Jeff Magalif, | Title: From the Shrink Blaine on Youth | 11/20/1969 | See Source »

...continuum of thought and experience among the young which links together the New Left sociology of Mills, the Freudian Marxism of Herbert Marcuse, the Gestalt-therapy anarchism of Paul Goodman, the apocalyptic body mysticism of Norman Brown, the Zen-based psychotherapy of Alan Watts, and finally Timothy Leary's impenetrably occult narcissism...

Author: By Sandy Bonder, | Title: From the Shelf The Making of a Counter Culture | 10/30/1969 | See Source »

Hitchcock's character delincations had always been sick, so for him Freudian notions were no great breakthrough. He merely began to construct his films like popularized case histories. His characters became illustrations of abstract psychological types: his plots became schemes of sexual interrelations. Observation of characters became an unimportant meanse of description; chance mannerisms and incidents disappeared. His formal control increased, but his tendency to neat plotting gave this advance the feeling of excessive design...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...each man, what best becomes a brave Castilian. For my part, I go to the South.'" It was an epic moment, one of the many, in fact, that The Royal Hunt of the Sun shamelessly overlooks in favor of pop-psych melodramatics. A pity, too, because when this Freudian version of the conquest of Peru concentrates on the pomp and circumstance traditional to movie spectaculars, it is a lot of cornball...

Author: /time Magazine | Title: Cinema: Pop and Circumstance | 10/17/1969 | See Source »

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