Word: freuds
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Dates: during 1970-1979
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...cover of TIME for Oct. 27, 1924, featured a familiar face with penetrating gaze and neat white beard, and the story inside was sprinkled with what would soon become household words: ego, neurosis, libido. Only one year after the magazine was founded, Sigmund Freud, then 68 years old and still refining psychoanalysis in Vienna, made his first of three cover appearances (he reappeared in 1939 and 1956). Altogether, TIME has published more than a dozen cover stories on psychiatry. This week's article continues that long-running analysis with an examination of the anxieties and doubts that...
Associate Editor John Leo, who suggested and wrote this week's story, first became fascinated with the subject during his college years at the University of Toronto. He was studying modern philosophy at the time, but a chance encounter with a paperback on Freud sent him burrowing through the master's voluminous collected works. Says Leo: "Here were the philosophers playing their bloodless word games, and Freud saying all these amazing things about real life." Now he is convinced that the three greatest thinkers of all time were Aristotle, Freud and Groucho Marx...
...workers, patients, psychologists and psychiatrists and on conferences she has attended across the U.S. and in Europe. "What has always impressed me most about psychiatrists," says Galvin, "has been their capacity for selfcriticism. That psychoanalytic imperative to examine one's own motives, all the time, seems to me Freud's most important legacy...
History: European born. After sickly youth in the U.S., traveled to Vienna and returned as Dr. Freud's Wunderkind. Amazing social success for one so young. Strong influence on such older associates as Education, Government, Child Rearing and the Arts, and a few raffish friends like Advertising and Criminology...
...animators for Poets on Film was Veronika Soul, whose own film in the show, How the Hell Are You?, gives the audience a chance to take in her fast, ironical style. Her addition to last weekend's program, Tales from the Vienna Woods, based on the letters of Sigmund Freud, was equally eerie and compelling and funny. Her films, like Vera Neubauer's Animation for Live Action, are disturbing collages of live action film, rotoscoping, photography, freehand drawing, and photography of photography, with radical feminism and black humor. Soul's How the Hell Are You? is also based on letters...