Word: freuds
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Dates: during 1990-1999
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...work or peasants at play -- Schnittke's music is fundamentally deconstructive. It uses the past as raw material for the present, often referring to or quoting directly from Bach, Mozart and other Germanic composers and then tearing them apart in a destructive analytical frenzy that would have terrified Freud. "I attempt to compose symphonies," Schnittke wrote in a program note to his Third Symphony, "although it is clear to me that logically it is pointless...
...droop, and grading habits relax. Try to get on the bottom of the pile.) Again, it is not that AE's are vicious or ludicrous as such; but in quantity they become sheer madness. Or induce it. "The 20th century has never recovered from the effects of Marx and Freud" (V.G.); "but whether this is a good thing or a bad thing is difficult to say." (A.E.) Now one such might be droll enough. But by the dozen? This, the quantitative aspect of grading--we are, after all, getting $5 a head for you dolls and therefore pile...
...imagine a painter like Freud emerging in America today? It's hard to, maybe impossible. He affronts too many orthodoxies, starting with the central one: the belief that realism -- the painting of things from direct observation, warts and all -- is dead or, at best, irrelevant. You may quote the human figure from mass-media sources, by means of photography, silk-screen and so forth. Or stylize the guts out of it, so that it approaches abstraction. Or else run "expressionist" variants on it, which have nothing to say about any struggle with the real and resistant motif, since no such...
What passes for avant-garde style today is mostly recycled and tired, a thrice-dipped tea bag. There is not only a place but a burning need for art whose images are worldly, skilled, robustly embodied and keenly felt. This is what Freud, by taking nothing for granted and looking over the very brink of his perceptions, supplies...
...Lucian Freud, the best realist painter alive...