Word: freund
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...other seminars are scheduled for Paul A. Freund, Charles Stebbins Fairchild Professor of Law, and Henry M. Hart, Jr. '26, professor of Law. Their topics are; "The Distribution of Governmental Power in a Constitutional Federation," and "The Role of the Courts in the Development of American...
...photography is the picture's main attraction, largely because Karl Freund uses his apparatus as if it were a miniature camera, picking out sharp contrasts and darting with remarkable mobility from scene to scene and view to view. Emil Jannings stars. The old man suffers from the medium, since he felt it necessary to dwell overly over each emotion to make it register without aid of a sound track...
...reason for the bill's popularity is The Last Laugh: photographed by Karl Freund, the picture was one of the first movies to drop subtitles, and one of the first to use a mobile camera, boom and dolly shots and miniature sets (shot close up to look like the real thing). Its success was responsible for the Hollywood importation of Jannings, Freund* and Director F. W. Murnau, as well as for the development of several new cinema techniques...
Desilu Productions hired a pair of veteran troupers, William Frawley and Vivian Vance, to play the family next door and serve as foils and friends for Desi and Lucille. Academy Award-winning Karl (The Good Earth) Freund supervises the three cameras, and Director Marc Daniels (soon to be replaced by Bill Asher) gives Lucy its rattling pace. The writers-Jess Oppenheimer, Bill Carroll and Madalyn Pugh-turn out scripts that do not impose too much on the audience's credulity and are reasonably free of cliches. The writers are held in an esteem not common in TV. Lucille bombards...
...refugees, and Arabs wander on and off the stage, but they all contribute more to the development of Lili Engel's character than to any coherent story. Their own character are sketchily drawn; one--a hunchback doctor by the name of Ghoulos--makes no sense at all. Except for Freund, a Viennese merchant convincingly portrayed by Paul Mann, these minor characters generally overact, perhaps because Director Elia Kazan feels the need of sharp contrast to the complexity of Mrs. Engel...