Word: frida
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...Watching Frida, the new biopic of the famed Mexican artist Frida Kahlo, it’s difficult to not remember director Julie Taymor’s last effort, the much-lauded big-budget adaptation of Shakespeare’s Titus. That film was notable for, if nothing else, its brash and overwrought self-indulgence; it was a true exercise in almost surreal stylization. It marked Taymor as a new visual force in American cinema and was simultaneously criticized for its over-the-top severity. Strangely enough, the occasionally laughable audacity of Titus is sorely missed in this lush but uninspired...
It’s not that Frida isn’t at least a bit diverting. The script provides ample room for its all-star cast to give showy, but convincing performances, for one. Salma Hayek, in a year of break-out roles for actors of mediocre repertoires (just ask Adam Sandler), fits nicely into the role of Kahlo. Her dizzying spurts of emotional vulnerability play surprisingly well, but in other instances, it’s subtlety that she and co-star Alfred Molina (as Kahlo’s infamous husband, Diego Rivera) clearly lack...
DIED. DOLORES OLMEDO PATINO, 88, prickly art patron who housed the world's biggest collection of works by Mexican painters Diego Rivera and Frida Kahlo, his wife; in Mexico City. Rivera willed his and Kahlo's works to Mexico, leaving Olmedo Patino, a former Rivera model and friend, in charge of the trust controlling them. Though she founded a museum dedicated to the couple, she drew criticism for her derision of Kahlo (who, she said, was famous only because of her marriage to Rivera) and her tight rein on the artists' works and archives, which she kept for long periods...
...What we are trying to do is take Latin American art out of the Peabody Museum. We want to get beyond the anthropological view, and beyond Frida Kahlo and [Diego] Rivera,” he says, referring to the painters who appear in every beginning Spanish textbook...
...honor,” “doubts” and “passion” are strategically placed on the finished product. The over-paintings are always of either a young turbaned man or a woman, whose face and expression are eerily reminiscent of Frida Kahlo’s self-portraits. Yet while the patterns may look pretty, the ultimate effect of the paintings is very unimpressive. The repeated layering of the dots tends to dissolve the bright colors of the bottom pages, and the result is a dull, washed-out background. While well drawn, the watercolor over...