Word: frida
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...Cuban-born, Boston-based artist Maria Magdalena Campos-Pons accosts her viewers with an accusatory solemnity. The way Campos-Pons looks out from her self-portraits reminds me of how Frida Kahlo stares out of hers; the two artists both use the self-portrait as a vehicle for complicated meditations on maternity, pain and nationality. In "Nesting I" (2000), four large-format Polaroids set side by side, the two photographs in the middle show the artist with her eyes calmly shut, her face decorated with yellow and green paint, her shoulders and neck with cruel scratches. The wooden bird perched...
...last 20 years, believed himself to be Emperor Henry IV of Germany. As the play opens, his one-time paramour Matilda (Karin Alexander '02) comes to visit "Henry" in his grotesquely medieval living-space. She brings her friend Baron Belcredi (Tom Price '02), her daughter Frida (Marianne Cook '02) and a psychiatrist (Matthew Carlson) who intends to study "Henry" and attempt to cure him. Matilda and Belcredi explain the scenario to the doctor and to us before entering Henry's masquerade along with the madman's attendants (Luvh Rakhe '01, Michael Katherine Haynie '99, Mimi Asnes '02, Morgan Goulet...
...other leading roles are quite capably filled. Carlson plays the supercilious psychiatrist excellently; his haughty posture is such that he manages to look down his nose even at the towering Skeist. Price is similarly condescending as Baron Belcredi, weathering Matilda's insults and ruthlessly mocking Frida while always maintaining his panache. Cook brings great zest to the role of the attention-seeking Frida, and David Freeman '02 gives her fianc, the Marquis, an appropriately petulant reading. The four attendants are alternately hilarious and touching; Rakhe and Haynie are deliciously over-the-top throughout Act I, and both Asnes and Goulet...
...other leading roles are quite capably filled. Carlson plays the supercilious psychiatrist excellently; his haughty posture is such that he manages to look down his nose even at the towering Skeist. Price is similarly condescending as Baron Belcredi, weathering Matilda's insults and ruthlessly mocking Frida while always maintaining his panache. Cook brings great zest to the role of the attention-seeking Frida, and David Freeman '02 gives her fiance, the Marquis, an appropriately petulant reading. The four attendants are alternately hilarious and touching; Rakhe and Haynie are deliciously over-the-top throughout Act I, and both Asnes and Goulet...
...last 20 years, believed himself to be Emperor Henry IV of Germany. As the play opens, his one-time paramour Matilda (Karin Alexander '02) comes to visit "Henry" in his grotesquely medieval living-space. She brings her friend Baron Belcredi (Tom Price '02), her daughter Frida (Marianne Cook '02) and a psychiatrist (Matthew Carlson) who intends to study "Henry" and attempt to cure him. Matilda and Belcredi explain the scenario to the doctor and to us before entering Henry's masquerade along with the madman's attendants (Luvh Rakhe '01, Michael Katherine Haynie '99, Mimi Asnes '02, Morgan Goulet...