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...Roles Biologically Determined? will be discussed by Barbara Chasin, a sociologist at the School of Public Health, and Frieda Salzman, a physicist at the University of Massachusetts at 8 p.m. in the Conference Auditorium in George Sherman Union...

Author: By Roger M. Klein, | Title: Big John | 3/10/1977 | See Source »

Died. Angelo Ravagli, 84, self-proclaimed catalyst of D.H. Lawrence's novel of infidelity Lady Chatterley's Lover; in Spotorno, Italy. Ravagli made the claim, supported by at least one biographer, that Lawrence's wife Frieda could not resist his graceful good looks and finally yielded to him while the Lawrences vacationed in Spotorno-at which point Lawrence discovered them flagrante delicto. Lawrence took literary revenge by writing Lady Chatterley. In 1930, after Lawrence succumbed to tuberculosis, Ravagli wrote to Frieda: "I am waiting for you." She came. Ravagli abandoned his wife and three children for Frieda...

Author: /time Magazine | Title: Milestones, Feb. 9, 1976 | 2/9/1976 | See Source »

...Died. Frieda Segelke Miller, 83, a feminist and director of the Women's Bureau of the Department of Labor from 1944 to 1953, who nevertheless fought against a proposed equal-rights amendment in 1944, preferring "specific pills for specific ills"; of pneumonia: in Manhattan...

Author: /time Magazine | Title: Milestones, Aug. 6, 1973 | 8/6/1973 | See Source »

...celebration of life--as it is. There's an amazing coherence in the show. The characterization is pretty much evident in the script. There's a division between the introspective and the outgoing. It's always song-countersong: Curt sings about marriage, I sing of brothels; Paula sings 'Timid Frieda' while Patty sings 'My Death.' It's really twenty-six scenes, not just songs. It works as theater because it limits drama to a minimum, cutting out the extraneous. It gets down to a core...

Author: By Alan Heppel, | Title: Directing Brel: Monomania & Other Virtues | 5/8/1972 | See Source »

CURT RALSTON was both clever and affecting as "The Statue" of a war hero that cynically comments on the inscription at its feet and the cant of passersby. But sometimes Ralston lets his marionette affectations dominate numbers that would be better played naturally. Paula Rose is the "Timid Frieda" and keeps her reserve amidst the general flamboyance: she is a useful touchstone for calm and excels in romantic numbers such as "I Loved...

Author: By Whit Stillman, | Title: Jacques Brel Is Alive and Well | 5/5/1972 | See Source »

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