Word: friedman
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Dates: during 1960-1969
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Other winners included Samuel J. Biondolillo, a second-year student at the Business School, $150; Paul R. Chernoff '62 and Thomas G. Guthell '63, $100; James D. Parry '64, $75; Yann R. Weymouth '63, $50; and Arthur M. Friedman...
Sliced Cliché. But after all the tired titillation, freak free verse, exhausted experiment are sifted away, some gold dust and a few sizable nuggets remain. Sanford Friedman's Salamander (in New World Writing) is a sweet, sad, perceptive story of how a seven-year-old New York boy becomes a philosopher. B. H. Friedman's Whisper (in Noble Savage) is a softly sizzling portrait of the big-town big shot caught in the rat race and insisting he loves it. Joseph Kostolefsky, in the same magazine, refashions arty cliché with a lethal satire called...
...exceptional were the performances of Weston and Haskell that it would be almost unfair to criticize the cast for failing to meet their standards. Almost without exception the play's acting is strong; only Arthur Friedman's Bracciano is repetitious and stuffy. Edward Landreth sounds like he's gargling when he's most enraged, but his expressive face and hands, plus a number of effective speeches enrich the play...
...rubs out the lion's roar from the zoo next door. Performances are uniformly first-rate, from Albert Quinton's dolphin-eyed, full-fathomed Bottom to giant Negro Actor James Earl Jones's Oberon, who as the fairy king somehow suggests Paul Robeson on point. Joel Friedman's direction finds constant humor in the play's profusion of rhymes, which, under less talented control, often turn into a parade of stilts. A Midsummer Night's Dream emphasizes what many East Coast Shakespeareans have long been saying: the best summer Shakespeare...
...soloists wer the winners of this year's HRO-sponsored concerto, Ellen Friedman '63 (flute), and Barbara Cohen '63 (English horn). Both ladies are excellent instrumentalists, and their clear, rippling tones flowed quietly over the lawn. The HRO strings here were at their best; under Mr. Senturia's precise and animated direction, they showed themselves subdued but very competent. The intonation was clear throughout, the phrasing deft and unobtrusive...