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Organized by three curators--Friedrich Teja Bach, Margit Rowell and Ann Temkin--the exhibition is beautifully installed, with every piece given its due of light, air and space. It contains more than 100 sculptures in wood, stone and marble, together with the remarkable bases Brancusi made for them and backed up with a host of photographs that document the life in his Paris studio. (Since Brancusi took his own photos, they contain important clues about how he meant the pieces to be grouped, viewed and interpreted.) Already seen in Paris, the show won't go anywhere after Philadelphia; this...
...saddened to read of the pass- ing of one of the world's premier magazine journalists, Otto Friedrich [TO OUR READERS, May 8]. As a historical writer, I was enormously impressed by his highly readable and brilliantly analytical articles on the outbreak and consequences of World War II. I recommend that all thoughtful citizens read his insightful contribution to Time's 50th-anniversary issue on World War II [Aug. 28, 1989] at least twice...
...Otto Friedrich -- pianist, historian, adventurer, rose gardener and passionate journalist -- was above all a man who had to write. In addition to his prodigious work during two decades as a writer and editor at TIME, Otto wrote 14 books on subjects ranging from Berlin in the 1920s to Hollywood in the 1940s to the End of the World-to say nothing of the nine children's books he co-authored with his wife Priscilla, with whom he had five children of his own. When Otto died of cancer last week at age 66, he had just completed a monumental study...
...Ruth Brine, a skilled violinist, met regularly during the lunch hour to play duets. "We had three-sonata lunches," Brine recalls. She once dreamed that the sessions had exhausted all the music in the world, but Otto reassured her that that could never be the case. For Otto Alva Friedrich, there was always another sonata to play, another rose to cultivate, another book to write...
DIED. OTTO FRIEDRICH, 66, writer; of lung cancer; in Manhasset, New York. Boston-born Friedrich first hit his stride during his 1960s tenure at the Saturday Evening Post. During his subsequent years in the pages of Time and in his own nimbly crafted nonfiction, Friedrich emerged as an elegant explicator of just about everything: Superman, insanity, the pop art of Hollywood, the high art of pianist Glenn Gould, the collapse of German democracy, the demise of a rose garden...