Word: friedwald
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...producer Charles Granata is a first-rate Sinatra scholar, with a scholar's interest in the details. Same for the exceptionally knowledgeable critic Will Friedwald, who contributes an essay. But having Granata and Friedwald expend their energies on this material is like having Stephen Hawking explain why the little hand counts the hours and the big hand counts the minutes. For the rest of us, it's just a matter of being suckered. --By Daniel Okrent
...just about everyone he ever worked with is "the greatest"--and doesn't even wobble on the choppy patches (the divorces, the cocaine, the time he beat up Don Rickles). One especially wishes the book dug more deeply into Bennett's music--a surprising lack, since co-author Will Friedwald is one of the sharpest jazz writers around. Still, this is an engaging read. It's that voice, the lovely Tony Bennett-ness...
...read sections of it. But I like what's happening. I'm telling most of it to Will Friedwald. He's doing a great...
...colleague and me think of Sinatra? My own higher notions about music were incubated while listening to Jethro Tull albums (whoa--a flute!). Sinatra's body of work, meanwhile, stretches back to the 1930s and is nothing less than "the final statement on pre-rock pop," as Will Friedwald, the invaluable Sinatra scholar, recently wrote of the Songs for Swingin' Lovers! album, released in 1956 and generally considered Sinatra's finest LP. "Something radically different just had to come next," Friedwald continues, "because nothing in the realm of Tin Pan Alley could top this bravura celebration of grown-up love...
...kept on tap a voice teacher who was a former opera singer. Later on he would turn to Metropolitan Opera soprano Dorothy Kirsten and baritone Robert Merrill for pointers on technique. "He knew they knew...how to maintain the equipment," Sinatra's longtime conductor, Vincent Falcone, told writer Will Friedwald. That stuff in the whiskey tumbler he used onstage was often tea. Booze, he knew, could batter the throat...