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...also illustrated them-I don't do fantastic drawings, but I did try to resolve the problem of the costumes. We had very little money, so I thought if we used paper it would be economically advantageous, but also to give it visual continuity. I spoke to my friend, Rick Gilbert, who is an art director, and he brought in extraordinary people- Andy Byers, who had worked decorating Victoria's Secret windows. He's very skillful at paper and creating things. So the two of them, based on my drawings, added a lot of details to it. We also decided...
...different backgrounds and it seems to change form region to region, too.6. FM: Your duo wasn’t always called Ratatat. What was your first name, and how did it evolve?EM: The first name was “Cherry” which was a name our friend James came up with when we had just made one or two song ... so we went with that for a while and we ended up changing it before our first record came out. We were kinda sitting down thinking of names and it was one that we didn?...
...recreational polo players forged Harvard’s first foray into the sport, and by the late 1920s, the team tasted real success under the leadership of Forrester A. Clark Jr. ’58, a six-goal outdoors player. In the 1950s and 60s, Crocker himself, his best friend Adam Winthrop ’61, and Russell B. Clark ’61 further legitimized the sport on campus—but with neither official University recognition, nor the requisite resources, the survival of Harvard polo remained tenuous...
...Frazer’s glowing remarks about Bush administration policy might have been motivated by her role there. “I think that she still feels the need to defend the administration,” said Pearl T. Robinson, professor of African American politics at Tufts and a friend of Frazer. But Robinson added that Frazer had ample reason to call the policies successful. “The biggest foreign policy success that [Bush] can claim is in Africa,” Robinson said. “I think she’s done well...
...Norworth still needed music to accompany his verse. He sought the help of his friend Albert von Tilzer, a Broadway songwriter and the creator of popular songs like "The Alcoholic Blues" and "I May Be Gone for a Long, Long Time," whose waltz-like melody made the tune complete. On May 2, 1908, the U.S. Copyright Office received two copies of their song - and most likely filed them away with the hundreds of other odes to baseball that had come before it. (Among the less popular: the largely forgotten "Baseball Polka," created by a Buffalo ballplayer.) "Take...