Word: friends
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Dates: during 1990-1999
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Perhaps that's what drew her to McDermott, or at least elevated their relationship to the point where she boasted to friends about her "really rich boyfriend." McDermott was certainly a man who knew the market, having worked his way up from entry-level research analyst to CEO of Keefe, Bruyette & Woods, a boutique investment bank. The firm was on the verge of what would have been his crowning achievement, a $100 million public offering last May. But days before the IPO, the firm canceled the deal when McDermott told his partners he was under investigation by the Securities...
...drop Estelle and Javier in Australia and pick up a family just outside of town. Grandfather, mother, daughter. They had been visiting a friend at the hospital and are going where we're going, to Playa Giron, home of the Cuban monument to the heroes of the Bay of Pigs. Our merengue tape, bought at a gas station, tinkles quietly from the speakers. We offer them--we offer everyone--water, cookies, crackers. They decline, and like most riders, this family says nothing unless we speak first; they don't even talk to one another. They watch the countryside pass, content...
...time, the heir is amused by Tom's charm and novelty. But Dickie is easily bored, and he grows tired of Tom. Seeing the chance both to rid himself of a critical friend and to replace him, Tom kills Dickie in the sea off San Remo, buries the body and goes to Rome, setting himself up as Dickie. The ruse lasts until Freddie Miles (Hoffman), an obnoxious but observant pal of Dickie's, comes to visit. Panicked by discovery, Tom bashes Freddie's head and deposits the corpse in a cemetery. Now Ripley's game begins with the police...
...look at Alain Delon (the delicate stud of Purple Noon) or Dennis Hopper (who gave Ripley a cowboy swagger in the 1977 The American Friend, Wim Wenders' adaptation of Ripley's Game) and see an actor sharpening his tools: the attentiveness, the useful smile, the waiting for a cue to make his move. Ripley watches Dickie, and an actor prepares. We watch the actor playing Ripley and learn the secrets of his duplicitous craft. It's as if a famous seducer had made a how-to video...
Call that the not-so-new sentimentality. But call Ryder's performance as Kaysen first rate. She moves very persuasively from puzzled, rather passive resentment over her incarceration to a lively awareness of her problems to, finally, edgy mental health. Jolie is more problematic as her best friend, an overt rebel whose assertiveness leads to the movie's most tragic--and heavily fictionalized--passage. There is something tiresome in her toughness. But that's emblematic of the whole movie, which misses what was most engaging about Kaysen's memoir--the unique sound of her voice, mostly drowned out here...