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Word: frightingly (lookup in dictionary) (lookup stats)
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...lead in the drama, Dean Rosovsky, is probably not suffering from any stage fright as he thinks about the approach of the final vote. The Faculty, after all, was cooperative enough in its meeting this week to approve two amendments endorsed by the Faculty Council. No one at that meeting had much to say in opposition to the Core plan...

Author: By Amy B. Mcintosh, | Title: The Show Goes On | 4/15/1978 | See Source »

...Portrait of Sarah Pitkin," an oil by Marguerete Walsh, is alarmingly real. A woman in an Indian gauze shirt seems to harbor distrust and fright. The plain background makes the portrait more believable; Sarah Pitkin could be sitting in your own home. The figure's emotions are made larger than life through the proportions of the painting itself...

Author: By Susan H. Goldstein, | Title: Bodies in Bronze and Twilight | 4/6/1978 | See Source »

...major French painter in those traumatic years resembled Kirchner's paroxysm of self-pity-the haggard artist displaying the raw (but fictional) stump of his amputated painting hand becomes, as the nude in the background makes clear, an allegory of castration as well as loneliness and fright...

Author: /time Magazine | Title: Art: The Anguish of the Northerners | 3/27/1978 | See Source »

Whatever the motive for arson, the result is fright and despair among inner-city residents. Says Dorothy Maeda, chairman of Humboldt Park's arson committee: "It's a terrifying feeling never knowing when you go to sleep at night whether a fire bomb will come through the window." Along Boston's once elegant Symphony Road, where fire has gutted 29 of the 74 apartment buildings in the past four years, tenants live in constant fear of flames. "Everybody around here is jumpy," says local resident Sadie Ellis. "Whenever I hear sirens I turn the radio down...

Author: /time Magazine | Title: The Nation: Arson for Hate and Profit | 10/31/1977 | See Source »

...softness he achieved with the chorus, rather than the customary piling up of decibels. The soloists were a uniformly excellent band of singers-though how they fared dramatically depended on the whim of Director Jean-Pierre Ponnelle, former Wunderkind of European opera. Ponnelle attired his Electra in a red fright wig and managed the considerable feat of making Soprano Carol Neblett look less than gorgeous. Electra may be a mixed-up lady; she does not have to be a visual horror. As Idamante, Mezzo Maria Ewing sang with enough splendor to suggest that the gods had blessed her early...

Author: /time Magazine | Title: Music: The Seria Side of Opera | 10/17/1977 | See Source »

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