Word: frigidities
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...real." But it's 1934, and only stars like Fred Astaire and Ginger Rogers have anything to sing about. Times are hard. No one wants to buy Arthur's music. An evil bank manager refuses to lend him the money to start up a store. Worst of all, his frigid wife Joan just doesn't like sex. "I want you to cut his thing off," she cries to a detective toward the end of this strange, sordid movie. By this time, not a few members of the audience may be thinking the same...
...face is a gigolo's death mask: the character lines have been ironed out, leaving only the dry-ice eyes and the knowing pout. As icons, these four performers would seem perfect for the bittersweet revisionism of this musical drama about a sheet-music salesman (Martin), his frigid wife (Harper), his nice-turned-naughty mistress (Peters) and his slick rival (Walken).But icons do not always make for compelling screen personalities-especially when, as here, more is demanded than just another appropriate face...
...about politics!--and Bryant's dazed awe. And later, in Russia, when Reed finds himself on a platform exhorting the Communists to strike and promising the support of the American workers, the climax of the scene is not the workers' cheering, but the proud, loving gaze of the hitherto frigid Louise. "She'll sleep with him now," we think, and sure enough, Beatty cuts to coitus in silhouette, Keaton...
...original, but the sequel ladles on the gore like Chef Boy-ar-dee. Most of the movie takes place in a hospital where Jamie Lee's been hauled after her first bout with the Shape. The targets are mostly nurses. I've always hated nurses. They flash you a frigid smile and when you're not looking they stick a needle in your arm or a tube up your ass. And they're always balling the doctors, particularly when you're in pain and you need them. Used to lie in my hospital bed and wish...
...waste left by the void that is Lawrence. But John Gielgud, seen perusing Lawrence's penultimate works, is so intent on depicting the stiffness of the period that he seems to be merely a life-size extension of his starched collar. Penelope Keith, as the Honorable Dorothy Brett, a frigid woman with a crush on Lawrence, can best be regarded as a pasteboard pastiche; this is the extent of her role and talent...