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...those curious mixtures of slap-stick comedy and genuinely beautiful music, which doesn't shake up too well at times but which would find its justification if the cast were only to step out in front of the scenery and follow the orchestra through Rudolph Friml's famous score. The comedy does get pretty good in spots, and the immense Hope Emerson as Lady Jane, Don Gantier as Hard Bolled Herman and Robert Chisholm as the veddy, veddy English Sergeant Malone of the Mounties are all quite sufficient in this line. But the singing and dancing are the bread...

Author: NO WRITER ATTRIBUTED | Title: THE PLAYGOER | 4/21/1941 | See Source »

Composer Rudolph Friml told a Manhattan newshawk of a "conversation" he had had with the late Victor Herbert via the Ouija board: "He says to me, 'Play five notes.'. . . I play. . . . It is Victor Herbert. It is his style exactly. Then Victor Herbert he says to me, 'Quite charming...

Author: /time Magazine | Title: People, Nov. 13, 1939 | 11/13/1939 | See Source »

...used to pound rolls out by the yard, under some 20 different names-Preston Dupre for the classics, Cyril Crossing for tangos, other Frenchy names for "saluts d'amour," etc. In 1916 he came to Broadway and Tin Pan Alley, arranged and directed musicals for Jerome Kern, Rudolf Friml, Ziegfelu, Rodgers & Hart, Gershwin. He arranged the swipes that made the Revelers quartet a popular and much plagiarized sensation in the late...

Author: /time Magazine | Title: Radio: Old Timer | 2/13/1939 | See Source »

...best of them, known as operettas, became minor classics and were repeatedly performed by stock light-opera companies throughout the U. S. During the peak years of U. S. operetta (1910-20), four composers dominated the field: Irish-born Victor Herbert (Naughty Marietta, etc.), Bohemian-born Charles Rudolph Friml (Katinka), Hungarian-born Sigmund Romberg (In Blossom Time), and Manhattan-born Jerome David Kern (Sally, Show Boat...

Author: /time Magazine | Title: Music: Revivals | 6/13/1938 | See Source »

...individual rather than the social type Ibsen meant her to symbolize, thus helps transform the play from an outmoded indictment into a moving character study. As Nora's complacent spouse, Dennis King, hero of operettas, farces and romantic dramas, plays Ibsen as well as he sings Lehar and Friml. For all of Torvald's prissy traits, Actor King makes him pitiable in his final, bewildered defeat. Back from playing the ancient High Lama in Hollywood's Lost Horizon, Sam Jaffe is expertly repulsive and yet appealing as Nils Krogstad, the blackmailer who gets Nora in his clutches...

Author: /time Magazine | Title: Theatre: Old Plays in Manhattan: Jan. 10, 1938 | 1/10/1938 | See Source »

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