Word: fripp
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Dates: during 1980-1989
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...Landlords have the right to put in whoever they want and they'll put in people who have the money to buy the apartment," says Amy J. Fripp. "I don't think most people can afford to buy their apartments...
Gill scampers from side to side, picking our suitable vantage points where he can glare sinisterly our into the orgiastic crowd. A technical virtuoso equal to Adrian Belew or Robert Fripp of King Crimson, he sends screeching feedback and other bizarre sounds blazing to the ceiling, rips off eclectic chord changes to brand in with the rhythmic thrust laid down by Burnham and Lee, and contributes his eerie, monotonic voice strategically. For his part. King writhes and oscillates madly like a maniacal giraffe at the center of the stage, his primitive, guttural, and thoroughly expressive voice bounding through the controlled...
...Experimental Music. The wunderkind of the music world's intelligentsia, Brian Eno had appeared with the early Roxy Music, Robert Fripp, Phil Manzanera and with his own solo efforts, and has amassed an awesome catalog of art-rock. He has produced the last two Talking Heads albums and was, for all practical purposes, another member of the band. But now on the new album he is given credit for everything except wrapping the albums in cellophane. Are the Talking Heads to become just another Eno subsidiary...
Like last year's Lodger album, Bowie serves up his techno-rock blend with great coolness and calculation here. Scary Monsters' atmosphere of brooding paranoia is constructed with meticulous care, emphasizing abrasive musical textures. Clattering percussion, slithering keyboards and piercing guitar (courtesy of Robert Fripp) surround Bowie's sometimes morose, sometimes hypertense vocals. Oddities, such as a Japanese translation of "It's No Game," are included just for the sake of bizarreness...
...analogue for the psychological violence of the cold war days, all pouty and conformist. She invests her love in new shoes and a blonde bleach job. The soundtrack is credited to Chris Stein, the other Blondie personage, but his electronic accompaniment resembles a melodramatic mix of Robert Fripp and Bernard Herrmann, not the band's dance beat...