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Word: fritzes (lookup in dictionary) (lookup stats)
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Attacking his first varsity challenge, sophomore Fritz Hobbs put together a 3-0 win. Hobbs started slowly, but dominated the next two games for a 17-14, 15-5, 15-11 victory...

Author: NO WRITER ATTRIBUTED | Title: Racket Club Drops M.I.T. | 1/11/1967 | See Source »

...stuck with unsold stock, building cranes stand idle, and workers are uneasy about their jobs. The nation's economic growth, which has averaged almost 6% a year since 1950, dropped to barely 3% in 1966, is likely to dip to an icy 2% this year. "The economy," warns Fritz Berg, president of the Federation of German Industries, "has reached the most dangerous situation" in more than 15 years...

Author: /time Magazine | Title: West Germany: Woe in the Wirtschaftswunder | 1/6/1967 | See Source »

...sequences are excellent, a triumph of MGM's technical facilities. But as soon as Grand Prix leaves the track, it becomes an ugly film. There are eight directors in Hollywood who know how to use wide screen. They are George Cukor, Nicholas Ray, Otto Preminger, Douglas Sirk, John Ford, Fritz Lang, Frank Tashlin, and Budd Boetticher. Not John Frankenheimer...

Author: By Sam Ecureil, | Title: Grand Prix | 1/6/1967 | See Source »

...good sense rather than their prejudices." In many races, in fact, there was something of a Negro "frontlash." Winthrop Rockefeller became the first Republican to win Arkansas' governorship by capturing 80% of the Negro vote?which turned out to be his margin of victory. South Carolina Democrat Ernest ("Fritz") Rollings' 10,000-vote margin for a U.S. Senate seat came mostly from Negro votes. In Maryland, Republican Agnew beat Mahoney on the votes of poor Negroes, upper-income Jews and Government workers from nearby Washington...

Author: /time Magazine | Title: Elections: A Party for All | 11/18/1966 | See Source »

...extremely effective dramatic device (see Hitchcock's Sabotage at Harvard Film Studies this fall), they are rarely as effective when the film is in Panavision, a wide-screen process with a 1 to 2.5 screen ratio. Wide-screen has plagued directors for more than a decade; Fritz Lang says it's only good for filming "snakes and funerals," and Hitchcock doesn't like it because you can "always trim the sides off." In any case, TV filming has little relation to moviemaking, and even less to wide-screen moviemaking. Hill's idea of composing a Panavision frame is summed...

Author: By Sam Ecureil, | Title: Hawaii | 10/28/1966 | See Source »

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