Word: frocked
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Burgomaster Max was a short, slim & trim bachelor with a sharp eye for a pretty face or ankle. Sporting a torpedo beard and boulevardier's mustache, he was a gay cock sparrow in silk hat, frock coat and gold chain, the idol of the citizenry. As familiar to Bruxellois as his magnificent whiskers was his series of white pinschers, all called "Happy...
When it was founded in 1917 the Society of Independent Artists did more than any other U.S. organization to break the stodgy, stale tobacco-juice-landscape and frock-coat-portrait traditions that had clung to U.S. art since the late 19th Century. In those Academy-ridden days, the Indépendents' free-for-all (patterned after Paris' famed Salon des Indépendents) offered artists with new ideas their one big chance. Many exhibitors at the early Independents shows later became famed figures in the U.S. art world. As the years went by, as modernism changed from...
...prints was a figure of a Negro and a mule entitled Plowing, by Tom Benton, who, with 25 other U.S. artists, had agreed to use Lewenthal as an agent. The A.A.A.'s rise from a one-desk agency to a $500,000-a-year business drove many a frock-coated Manhattan gallery director furiously to think. Behind that rocketing rise lay one of the ablest promotion and distribution jobs the U.S. art world has seen...
...Designers Claire Lang, James Gosling and George Perkins reproduced the whole door of a church and an adjoining stained-glass window (made out of Cellophane and shoe dye), a lawn with real grass. Through the church door paraded a dozen live models, women in spring street clothes, men in frock coats, military uniforms and mufti. Once a day six choristers from the Paulist choir stepped into the window and caroled Gregorian chants, their shrill-sweet descant relayed by amplifier to the street outside. The Franklin Simon window attracted almost too much attention. Army authorities straightway protested against this unseemly display...
Almost as infallible as the perennial crocus, "Blossom Time" has bloomed again. And the Shuberts' latest edition of this old dependable lacks little of the sure-fire appeal with which it has warmed up staid Bostonians seven times in the last twenty years. The colorful costumes, glittering jewelry, chic frock coats and top hats, tinkling wine glasses and gay laughter are all there--set to melodies the world hasn't forgotten in 120 years, and isn't likely to in another thousand...