Word: froing
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...that many of the upheavals in later years were the unsurprising extension of things we encountered at Harvard. The transformation of popular music is an example those with finer sensibilities may dismiss. For there was nothing trivial about the entry of Blacks into areas of national cuture long reserved fro whites, and rock music helped unify the youth subculture that sometimes seemed to be waging open war against the adult world...
...that many of the upheavals in later years were the unsurprising extension of things we encountered at Harvard. The transformation of popular music is an example those with finer sensibilities may dismiss. For there was nothing trivial about the entry of Blacks into areas of national cuture long reserved fro whites, and rock music helped unify the youth subculture that sometimes seemed to be waging open war against the adult world...
...that many of the upheavals in later years were the unsurprising extension of things we encountered at Harvard. The transformation of popular music is an example those with finer sensibilities may dismiss. For there was nothing trivial about the entry of Blacks into areas of national cuture long reserved fro whites, and rock music helped unify the youth subculture that sometimes seemed to be waging open war against the adult world...
Glenn's aloofness from the partisan to-and-fro has also been reflected in his campaign's inattention to grass-roots organizing and political stroking. "We were unorganized in January on purpose," Glenn says, making the reasonable point that a full year before the first primaries is soon enough to begin electioneering in earnest. At the center of the "right stuff-wrong staff' controversy is Glenn's campaign manager, William White, a smalltown lawyer with a notable lack of political savvy, who has been Glenn's closest aide for nine years. Admits White: "Kennedy...
...beautifully written monologue whose excruciatingly bitter message becomes very hard to endure even in such a short performance. Owen rocks herself to death, coordinating her rocking with the rhthym of her repetitive, sing-song phrases. "In the end, the day came, time she stopped going to and fro, high and low..." As she rocks more and more violently, and finally falls over, the repetition becomes unbearable. Yet the play also has a peaceful quality which, when juxtaposed against the underlying suicidal throbbing, stimulates the imagination. Although the director provides little in the form of lighting or props on which...