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...long ago, gallerygoing was a genteel affair. To and fro across carpeted floors swept the art lovers, sipping sherry. Safely up on the wall were the paintings, framed and titled, with prices on request. But no longer do the panes of varnish give onto idyllic visions of pinky Titian nudes, fluffy Millet sheep, plush Poussin valleys. Nowadays, avant-garde gallerygoing is more like the full 100 yards, with the visitors swivel-hipping through art works that threaten to tackle the visitor's body as well as his sensibilities (see color pages...

Author: /time Magazine | Title: Painting: The Super Micro-Macro World of Wanderama | 12/17/1965 | See Source »

Gradually, as the howling machines disappeared into the hills, a hypnotic hush came over Clermont-Ferrand. In the pits, the loudest sound was the ticking of stop watches as mechanics and managers paced nervously to and fro. Even the public-address announcer stopped his chatter. The grandstand crowd sat in silence-eyes riveted on a spot 400 ft. below, where the winding asphalt track curled like a thin, black snake between two green hills. There, any second now, the leading car would appear. The noise came first: the rising nasal whine of a V-8 engine echoing off the hills...

Author: /time Magazine | Title: Auto Racing: Hero with a Hot Shoe | 7/9/1965 | See Source »

...seeing your article on Sergiu Celibidache [TIME, June 4]. When I lived in Berlin after the war, hearing the Berlin Philharmonic on a Sunday afternoon was the highlight of the week. Then Maestro Celibidache wore his hair quite long; it was a veritable mane that swung to and fro with every movement of his spirited conducting. I thought he was terrific, hair and all. Ever since, I have wondered what happened to him. Thank you for clearing up the mystery...

Author: /time Magazine | Title: Letters: Jun. 18, 1965 | 6/18/1965 | See Source »

...went. One day 355 Negro students locked arms on the sidewalk outside the courthouse, rocked to and fro while singing traditional civil rights songs, changing some of the words so as to include the name of Sheriff James Clark, the particular villain in the Selma drive. "I love Jim Clark in my heart," they sang, and "Ain't gonna let Jim Clark turn me 'round." Clark placed them all under arrest, but he provided no buses. Instead, he ordered them to follow two motorcycles in a Pied Piper procession through the center of Selma to the armory, where...

Author: /time Magazine | Title: Civil Rights: Victory in Jail | 2/12/1965 | See Source »

...with big game, including Prince Philip and the Sheik of Kuwait. Though Mills says "I wouldn't dare" change the zebra's stripes, he is adding a few jolly wrinkles: discotheque, a Rolls-Royce with bar, and a Bentley to carry his more diffident guests to and fro...

Author: /time Magazine | Title: People: Nov. 20, 1964 | 11/20/1964 | See Source »

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