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...band: at a London flat some eight years ago, Shane MacGowan, who had more of his teeth back then, picked up a guitar and started to play an old Irish tune, Paddy Worked at the Railways. He played it fast; he played it very fast, in the best postpunk, frontal-assault style. His pal Spider Stacy clocked MacGowan's hands at "940 light-years an hour." That time, of course, was unofficial. But looking back now, it has become the official beginning of the Pogues...

Author: /time Magazine | Title: Music: Eight Lads Putting on Airs | 8/21/1989 | See Source »

...rebels quickly shut down the airport and overran a government garrison at Samarkhel, south of Jalalabad. But their frontal attacks on the city were repulsed. The fighting now consists mostly of duels between government artillery and rebel rockets that have led only to horrendous civilian casualties...

Author: /time Magazine | Title: Misplaced Optimism Despite | 5/15/1989 | See Source »

Yeltsin, 58, ran as Moscow's Huey Long, stoking populist passions with his calls for an end to the party elite's special privileges and his frontal attacks on Yegor Ligachev. "You're wrong, Boris!" Ligachev had shouted during the emotional Party Conference last year at which Yeltsin sought rehabilitation after being kicked off the Politburo. YEGOR, YOU'RE WRONG! read the buttons sported by Yeltsin's supporters as they marched through Moscow shouting "Down with party bureaucrats!" during the days leading up to the election. Yeltsin ended up with an astounding 89% of the vote in the at-large...

Author: /time Magazine | Title: The Union: A Long, Mighty Struggle | 4/10/1989 | See Source »

NOTES FROM UNDERGROUND, Moscow Theater for Young Spectators. Soviet audiences are no longer shocked by Dostoyevsky's long-banned philosophical ramble or, for that matter, by the full frontal nudity staged by director Kama Ginkas...

Author: /time Magazine | Title: A Soviet Sampler | 4/10/1989 | See Source »

...surprise of the show is Courbet's Origin of the World, 1866, by far the most transgressive image in 19th century painting. Long presumed lost, it turned up appropriately enough in the collection of the French psychoanalyst Jacques Lacan. It is a frontal view of a woman's pubes, painted with vast enthusiasm: the symbolic climax, one might say, of the series of dark caverns Courbet painted in his native countryside, The Source of the Loue, 1864. The objectivity of Courbet's work connotes a deep and sensuous love of whatever he painted. Sometimes his portraits of dead birds...

Author: /time Magazine | Title: Art: An Abiding Passion for Reality Gustave Courbet | 1/9/1989 | See Source »

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